Works

Wood, dye, white Carrara Marble 69 x 36 x 36 inches 175.3 x 91.4 x 91.4 cm	Patrick Hill Wood, dye, white Carrara Marble, glass 78 x 36 x 36 inches 198.1 x 91.4 x 91.4 cm	Wood, dye, white Carrara Marble and glass 84 x 60 x 100 inches 213.4 x 152.4 x 254 cm
Wood, dye, one way mirror, glass, white Carrara Marble 46 x 120 x 120 inches 116.8 x 304.8 x 304.8 cm	Glass, concrete, steel, linen 55 3/4 x 23 x 9 in.	Graphite, gesso, beet juice, oil paint, bleach on canvas 60 x 42 in.
Wood, glass, canvas, ink, glue 72 x 36 x 46 in.	Graphite, gesso, oil paint, beet juice, bleach, oil on canvas 60 x 42 in.	Steel, steel cable, hardware, glass, concrete, paint, canvas, denim, dye, glue 81x 102 in.
Secrets and Shapes, 2007, Wood, glass, canvas, ink, glue, 72 x 36 x 46 in. Forming, 2007, Glass, steel, granite, canvas, dye, paint, 108 x 120 x 84 in.	Erect, 2007, Glass, concrete, steel, linen, dye, 65 x 15x 11 in. Cranbrook Fountains (For Kate), 2007, Glass, concrete, steel, linen, 55 3/4, 23, 9 in. Unstable Composition #4, 2007, Glass, concrete, steel, canvas, dye, 45 x 21 x 16 in.Forming, 2007, Glass, steel, granite, canvas, dye, paint, 108 x 120 x 84 in. Piss Sunrise, 2007, Graphite, gesso, oil paint, beet juice, bleach, oil on canvas, 60 x 42 in. Secrets and Shapes, 2007, Wood, glass, canvas, ink, glue, 72 x 36 x 46 in.	Erect, 2007, Glass, concrete, steel, linen, dye, 65 x 15x 11 in. Cranbrook Fountains (For Kate), 2007, Glass, concrete, steel, linen, 55 3/4, 23, 9 in. Forming, 2007, Glass, steel, granite, canvas, dye, paint, 108 x 120 x 84 in. Radiation, 2007, Steel, steel cable, hardware, glass, concrete, paint, canvas, denim, dye, glue, 81 x 102 in.

Biography

born 1972, Royal Oak, MI

lives and works in Los Angeles, CA

EDUCATION

2000 MFA, Otis College of Art and Design, Los Angeles, CA

1996 BFA, University of Michigan School of Art and Design, Ann Arbor, MI

SELECTED SOLO EXHIBITIONS

2012

Curls, Kinks and Waves, Galerie Almine Rech, Paris, France

2011

Clumsy Angels, Bortolami Gallery, New York, NY

2010

Susanne Hilberry Gallery, Ferndale, MI

2009

David Kordansky Gallery, Los Angeles, CA

2008

Patrick Hill, The Approach, London

2007

Forming, Bortolami, New York, NY

2006

Golden Syrup, The Approach (The Reliance), London, England

2005

Shane Campbell, Chicago, IL

2004

David Kordansky Gallery, Los Angeles, CA

SELECTED GROUP EXHIBITIONS(* indicates a publication)

2011

Powders, a Phial, and a Paper Book, Marlborough Gallery, New York

California Dreamin’ – Myths and Legends of Los Angeles, Galerie Almine Rech, Paris, France

2010

Re-Dressing, Bortolami Gallery, New York, NY

The Secret (Still) Knows, LAND, Los Angeles, CA

Held Up by Columns, Renwick Gallery, New York, NY

Leopards in the Temple, Sculpture Center, Long Island, NY

The Mass Ornament, curated by John Rassmussen, Gladstone Gallery, New York, NY*

The Story of O, Ben Maltz Gallery, Otis College of Art and Design, Los Angeles, CA

The Secret Knows, 508 House, Austin, TX

Mostly Sculpture Show, Sea and Space Explorations, Los Angeles, CA

Light Breaks Where No Sun Shines, Bortolami Gallery at the Webster, Miami

2009

Leopards in the Temple, curated by Fionn Meade, Sculpture Center, New York

Play With Your Marbles (Walead Beshty, Karl Haendel & Partick Hill) Noma Gallery, San Francisco, CA

Abstract America: New Painting and Sculpture from the U.S., Saatchi Gallery, London

Geoplay (Part II), Pilar Parra & Romero, Madrid, Spain

2008

Base: Object, curated by Cory Nomura, Andrea Rosen Gallery, New York, NY

Pruesspress@Rental, Rental, New York, NY

Whitney Biennial, Whitney Museum of American Art, NY

2007

Uneasy Angel, Imagine Los Angeles, curated by Johannes Fricke-Waldthausen, Galerie Sprüth Magers,

Munich, Germany

Sculptors’ Drawings: Ideas, Studies, Sketches, Proposals, And More, Angles Gallery,

Santa Monica CA

Exit Music (for a film), Grimm/Rosenfeld, Munich, Germany

2006

L.A. Trash & Treasure, Milliken Gallery, Stockholm, Sweden

Pure Land, Ratio 3, San Francisco, CA

Cloudbreak, Organized by David Kordansky, Hiromi Yoshii, Tokyo, Japan

Patrick Hill, Eileen Quinlan, Florian Schmidt, Galerie Kosak Hall, Vienna, Austria

Matthew Brannon, Wade Guyton, Patrick Hill, United Artists Ltd., Marfa, TX

Symmetry, Curated by Nizan Shaked and Kimberli Meyer, MAK Center at the Schindler House, Los Angeles, CA

2005

Shape Shifters, China Art Objects Galleries, Los Angeles, CA

Split, The Approach, London, England

Ask the Dust, D’Amelio Terras, New York, NY

Alpha Flight II, John Connelly Presents, New York, NY

L.A., Lucas Schoormans Gallery, New York, NY

2004

Tapestry From An Asteroid, David Kordansky Gallery, Los Angeles, CA

lumpen decadents (the lack of money is the root of all evil),

Curated by Gean Moreno, Ingalls and Associates, Miami, FL

2003

Inaugural Exhibition, Golinko Kordansky Gallery, Los Angeles, CA

Post It, Floating Ip Gallery, Manchester, England

*Ishtar, Curated by Bruce Hainley, Midway Contemporary Art, Minneapolis, MN

The Distance Between My Apartment And The Beach, Curated by Nizan Shaked, Occidental College, Los Angeles, CA

2002

Grey Gardens, Curated by Bruce Hainley, Michael Kohn Gallery,Los Angeles, CA

2001

Boomerang: Collectors Curate, Curated by Kenneth L. Freed, Exit Art, New York, NY

Selections, Bolsky Gallery, Otis College of Art and Design, Los Angeles, CA

Weak Architecture, Midway Contemporary Art, Minneapolis, MN

Mink Jazz, Curated by Bruce Hainley, Marc Foxx, Los Angeles, CA

2000

Democracy, Bradbury Building, Los Angeles, CA

Press

SELECTED BIBLIOGRAPHY

(* indicates non-periodical book, catalog, or other publication)

2010 Bartholomew, Ryan, “Leopards in the Temple,” Artforum, January 2010

Carlin, T.J. “Leopards in the Temple,” Time Out New York, Feb-March 3, 2010

Johnson, Ken. “Tamer Cats at Modern Art’s High Gates,” NY Times, Jan 14

2009 Baker, Kenneth, “Marbles at Noma,” SF Gate, September 29

Curcio, Seth, “Play With Your Own Marbles,” Daily Serving, September 27

Szupinska, Joanna, “Play With Your Own Marbles,” ArtSlant, September 14

Bromberg, Emilie, “Patrick Hill – Sculpture Associated, META-magazine.com, Issue 2, August

Schad, Ed, “Patrick Hill,” ArtReview, May, p. 119

Dault, Julia, “Patrick Hill,” artforum.com, www.artforum.com, March

Donohue, Marlena, “Patrick Hill,” Artscene, March

Miles, Christopher, Danerous Geometry, LA Weekly, February 18

2009 Snellman, Natascha, “Patrick Hill at David Kordansky Gallery,” Dossier.com, www.dossier.com, February 17

Pagel, David, “Review: Patrick Hill at David Kordansky, Los Angeles Times, February 13

Verrecchia, Vassili, Patrick Hill, L’Officiel Hommes, February 2009, pp.177-180

Fiduccia, Joanna, “Patrick Hill,” The Approach E2, Artforum, January, p. 221

2008 Taft, Catherine, “Base: Object,” Arforum.com, www.artforum.com, November

Patrick Hill, NY Arts, Vol 13, No. 11/12, p. 43

Smith, Roberta, Pruesspress@Rental, New York Times, June 27, p. B25

Schambelan, Elizabeth, “Whitney Biennial”, Artforum, Summer 2008, p. 426

Stern, Steven, “Whitney Biennial 2008”, Frieze, Issue 115, May 2008, p. 164

Cotter, Hollard “Art’s Economic Indicator”, New York Times, March 2008

“Whitney’s Snapshot of Now”, Art World, Issue 3, February 2008, p. 21

2007 Baker, R.C., “Recommendations from R.C. Baker,” Village Voice, October 2

Miles, Christopher, “Gallery Sprawl: City of Los Angeles”, Flaunt, Issue 87, p. 106

Morton, Tom, “Patrick Hill,” Frieze, January – February 2007, p. 176.

2006 Rochette, Anne and Wade Saunders, “Place Matters: Los Angeles Sculpture Today,” Art in America, November 2006, p. 174.

Campagnola, Sonia, “Focus Los Angeles: A Survey of Contemporary Los Angeles Art,” Flash Art, January – February 2006, p.71.

Morton, Tom, “Looking Back: Emerging Artists,” Frieze, January – February 2006, p.122.

2005 DeRose, Jen, “More at MAK,” Interior Design, December 2005.

Hainley, Bruce, “Patrick Hill (Openings),” Artforum, November 2005, pp. 242-243.

Sholis, Brian, “Ask the Dust,” artforum.com, September 2005.

Smith, Roberta, “Ask the Dust,” New York Times (Art Listings), September 2005.

*Ned Holte, Michael, “Ask the Dust: Jedediah Caesar, Case Calkins, Patrick Hill at D’Amelio Terras Gallery,” D’Amelio Terras, September 6, 2005.

Grabner, Michelle, “Patrick Hill,” artUS, July – September 2005, p.17.

Nusser, Madeline, “Patrick Hill,” Time Out Chicago, April 14-21, 2005,

Issue No. 7, p. 48.

Cotter, Holland, “Dealers Gather at the River, Convenient to Lofts

With Bare Walls,” The New York Times, March 11, 2005.

2004 Hainley, Bruce, “Top Ten,” Artforum, December, 2004, pp.164-165.

Knight, Christopher, “Will it all come crashing down?,” LA Times, November 26, 2004, p.E18.

Ruiz, Alma, “Dossier Los Angeles,” Carnet arte, Milan, May, 2004.

2003 *Hainley, Bruce and Siobhan McDevitt. “Camel Riding Nude, Backwards,” Ishtar,

Minnesota: Midway Contemporary Art, 2003.

2002 Hoffmann, Jens, “Cityscape: Los Angeles,” Flash Art, Milan, November – December 2002, pp. 53-56.

Heikes, Jay, “The Waiting Room is Closed,” New Art Examiner, Chicago,

January – February 2002, p. 49.