Biography

Morgan Fisher
*1942 born in Washington, D.C.
Lives and Works in Santa Monica, California

Education

1960-64 Harvard College
1965 B.A. in Fine Art
1964-65 University of Southern California, work toward M.A. in Cinema
1965-66 University of California, Los Angeles, work toward M.F.A. in Motion Picture Division,
Department of Theater Arts

Selected Solo Exhibitions / Screenings

2012 Generali Foundation, Vienna
2011 Museum Abteiberg, Mönchengladbach
“Morgan Fisher: Films and Paintings and In Between and Nearby”, Raven Row, London
2010 “Missing – An Evening with Morgan Fisher”, Piet Zwart Institute, Rotterdam
“Works on Paper 1968-2008”, Galerie Daniel Buchholz, Cologne
2009 “Portikus Looks at Itself”, Portikus, Frankfurt am Main, curated by Melanie Ohnemus
2008 ”Alien Pendant Pair Paintings“, China Art Objects Galleries, Los Angeles
Art Unlimited, Galerie Daniel Buchholz, Art Basel, Basel
2007 “Pendant Pair Paintings”, Galerie Daniel Buchholz, Cologne
2006 “Standard Gauge: Film Works by Morgan Fisher, 1968 – 2003”, Museum of Contemporary Art,
Los Angeles, curated by Chrissie Iles
2005 “Standard Gauge: Film Works by Morgan Fisher, 1968-2003”, Whitney Museum of American Art,
New York
”Scratched Aspect Ratio Pieces“, China Art Objects Galleries, Los Angeles
“Standard Gauge: The Films of Morgan Fisher”, film screening, Tate Modern, London
“Edge and Corner Paintings”, Adamski Galerie, Aachen
Morgan Fisher / Thom Andersen, film screening, Kölnischer Kunstverein, Cologne
2004 “( ) / Film Cans and Film Boxes”, Galerie Daniel Buchholz, Cologne
”Aspect Ratio Pieces, ( )“, Greene Naftali, New York
“( )”, Cubitt, London
“( )”, film screening (with Sharon Lockhart), Kino Arsenal, Internationales Forum des jungen Films / Berlinale, Berlin

Filmforum, Los Angeles

Städelschule, Frankfurt

2002 “To See Seeing”, NAK – Neuer Aachener Kunstverein, Aachen

“Photogenic Drawings / Color Balance”, Galerie Daniel Buchholz, Cologne
”The Italian Paintings, Self-Portraits“, China Art Objects Galleries, Los Angeles
Pacific Title and Art Studio, Hollywood; presented by China Art Objects Galleries, Los Angeles
2000 Kunstverein Hamburg, Hamburg
“The Italian Paintings”, presented by Dave Muller, Los Angeles County Museum of Art, Los Angeles
1998 Künstlerhaus Stuttgart, Stuttgart
Galerie Daniel Buchholz, film screening at the cinema of the British Council, Cologne
Österreichisches Filmmuseum, Vienna
1989 University of Rochester, in the series “The New Avant-Garde”, Rochester
1986 International Forum of Young Cinema, Berlin International Film Festival, Berlin
University Gallery of Fine Art, Ohio State University, Ohio
1985 The Collective for Living Cinema, New York
San Francisco Cinematheque, San Francisco
Pacific Film Archive, Berkeley
1981 “Color Balance”, P.S. 1, Long Island City, New York
1980 “Color Balance”, Media Study/Buffalo
“Film as Installation”, The Clocktower, New York City
1979 Boston Film/Video Foundation, Boston
Art School, California Institute of the Arts
Department of Photography and Film, Ohio State University, Columbus
Art Program, School of Art, California Institute of the Arts, Valencia, CA
1978 Collective for Living Cinema, New York
1976 Museum of Art, Carnegie Institute, Pittsburgh
Albright-Knox Art Gallery, Buffalo
San Francisco Museum of Art, San Francisco
Anthology Film Archives, New York
Museum of Modern Art, New York
1975 Pacific Film Archive; Berkeley
San Francisco Art Institute, San Francisco
Vancouver Art Gallery, in the series “The Very Eye of Light. A Primer in the Experimental Film”, Pacific Cinematheque in collaboration with the Vancouver Art Gallery, Vancouver,
British Columbia
Canyon Cinematheque, San Francisco
1974 Pratt Institute, Brooklyn
1973 Millennium Film Workshop, New York
School of the Art Institute, Chicago
Independent Film Festival, National Film Theater, London
1972 Film Section, Massachusetts Institute of Technology
1970 Department of Theater Arts, UCLA, Los Angeles

Selected Group- Exhibitions

2011 Films by Richard Serra, Morgan Fisher, and Anthony McCall, The Artist’s Institute, New York
2010 Richard Telles Fine Art, Los Angeles
“Monochrome Reflections”, haubrokshows, Berlin
“rogalski”, Haubrok Shows, Berlin
2009 “Aspect Ratio,” TENT, section of “Size Matters,” Rotterdam International Film Festival, Rotterdam;
curated by Edwin Carels
“Protective Coloration,” Center for Curatorial Studies, Bard College, Annandale-on-Hudson; curated by Niko Vicario
“See This Sound”, Lentos Kunstmuseum Linz, Linz
“Quodlibet II”, Galerie Daniel Buchholz, Cologne
38th International Film Festival Rotterdam, Rotterdam
“Fax”, The Drawing Center, New York
”1999“, China Art Objects Gallery, Los Angeles
“Restoring the Los Angeles Avant-Garde”, La Filmforum, Los Angeles
“Collecting History: Highlighting Recent Acquisitions,” Museum of Contemporary Art, Los Angeles;
curated by Bennett Simpson
Daily Film Program in conjunction with “See This Sound; Promises in Sound and Vision,” Lentos
Kunstmuseum Linz, Linz, Austria (catalogue); curated by Cosima Rainer
“Artists’ Cinema,” in conjunction with “But what of Frances Stark, standing by itself, a naked name,
bare as a ghost to whom one would like to lend a sheet?” and “David Hockney, 1960–1968: A
Marriage of Styles,” Nottingham Contemporary, Nottingham; curated by Alex Farquharson
2008 “Neutre Intense-Mitim”, Maison populaire-Centre d’art Mira Phalaina, Montreuil
“You, Whose Beauty Was Famous in Rome”, Mandarin Gallery, Los Angeles
“To Square Light,” Signal – Center for Contemporary Art, Malmö, Sweden
“Zuordnungsprobleme”, Johann König, Berlin
“Standard Sizes”, Andrew Kreps Gallery, New York
“Please Stay Out, We’re Open,” Redling Fine Art, Los Angeles
“Haubroksshow”, Sammlung Haubrok, Berlin
“Neutre Intense-( )”, Carl Freedman Gallery, London
“Index: Conceptualism in California from the Permanent Collection,” Museum of Contemporary Art,
Los Angeles; curated by Phillip Kaiser and Corrina Peipon
California Biennial, Orange County Museum of Art, Newport Beach (catalogue); curated by Lauri
Firstenberg
2007 “Internationale Kurzfilmtage Oberhausen”, Oberhausen
“Monochrome Painting”, Cardwell Jimmerson, Culver City
2006 “Galerie Daniel Buchholz Cologne at Metro Pictures”, Metro Pictures, New York
“Los Angeles 1955-1985”, Centre Pompidou, Paris
Program of films presented by Christopher Williams as an artist in the Whitney Biennial, Whitney
Museum of American Art, New York
“Blows into Microphone,” Kunsthalle Exnergasse, Vienna (catalogue); curated by Achim Lengerer;
presented at Wiener Votivkino, Vienna; later presented at the Deutsches Filmmuseum, Frankfurt
“The Artists Cinema”, Frieze Art Fair, Regent’s Park, London
“Expanded Cinema I,” film program curated by Patrick Huber and Fred Truniger in conjunction with
the show “The Expanded Eye,” curated by Bice Curiger, Kunsthaus Zürich, Zürich
“Bunch Alliance and Dissolve,” Contemporary Arts Center, Cincinnati (publication); curated by
Public-Holiday Project
2005 “Beside the Dream Machine”, Museum Moderner Kunst, Vienna
“A Walk to Remember,” LACE (Los Angeles Contemporary Exhibitions), Los Angeles (catalogue);
curated by Jens Hoffman
“Old News,” LACE, Los Angeles; curated by Jacob Fabricius
Gallery exchange, China Art Objects Galleries and Bowie Van Valen, Amsterdam
Bienal de Lisboa, Lisbon; curated by Ricardo Matos Cabo
2004 Whitney Biennial, Whitney Museum of American Art, New York
2003 “Turbulent Screen”, Edith-Ruß-Haus für Medienkunst, Oldenburg
“Fate of Alien Modes”, Secession, Vienna
Morgan Fisher and Mason Cooley, China Art Objects Galleries, Los Angeles
“Sandwiched,” Los Angeles; curated by Jacob Fabricius
“Conceptualisms: Zeitgenössische Tendenzen in Musik, Kunst und Film,” Akademie der Künste,
Berlin; curated by Christoph Metzger
2002 “Sie träumt von ihrem Lieblingsstar. Er spricht mit einer fremden Sprache.
Vier Räume aus der Sammlung Schürmann,” Sammlung Schürmann, K21 Kunstsammlung im
Ständehaus, Düsseldorf
Morgan Fisher, Tomma Abts, Leica Dole-Recio, James Hayward, curated by Richard Hawkins ,
Galerie Daniel Buchholz, Cologne
“A Show That Will Show That a Show Is Not Only a Show,” The Project, Los Angeles (catalogue);
curated by Jens Hoffman
2001 Frances Stark meets Morgan Fisher, Klosterfelde, Berlin
2000 “The Italian Paintings”, Dave Muller/Three Day Weekend, in “Made in California: Now”,
LACMA, Los Angeles
Galerie Daniel Buchholz at Jürgen Becker, Hamburg
“Not Coming”, Laemmle Grande Theaters, Los Angeles, produced by Side Street Projects
1999 “Afterimage: Drawing Through Process”, Museum of Contemporary Art, Los Angeles
“A History of European Cinema through Technical Evolution”, Festival dei Popoli, Florence
“The American Century: Art and Culture 1950-2000; The Cool World: Film and
Video in America 1950-2000”, Whitney Museum of American Art, New York
“Thanks”, visiting faculty show, School of Art, California Institute of the Arts
1998 “Time Dilates”, Dave Muller/Three Day Weekend, The Downtown Arts Festival, New York
1997 “Threshold”, Side Street Projects, Santa Monica
1996 “Projections”, AMC Old Pasadena Theaters, Pasadena, California, produced by Side
Street Projects
1995 Inaugural Film Screening, ACME. Gallery, Santa Monica
“Reconsidering the Object of Art: 1965-1975”, The Museum of Contemporary Art,
Los Angeles (C)
“23 Short Films / 23 Film Posters,” a show of and by Maria Eichhorn, Galerie Eva Presenhuber,
Zürich
1994 “Scratching the Belly of the Beast; Cutting-Edge Media in Los Angeles, 1922-1994”,
Filmforum, Los Angeles
“Detours”, Side Street Projects, Santa Monica (group show), painting installation
“Color This!”, Foundation for Art Resources, Los Angeles, 1994, coloring book with
drawings by Los Angeles artists
1993 “Fade to Black”, Eldorado Centrum voor Beeldcultuur, Antwerpen
Robert Flaherty Seminar, Ithaca, New York
Stichting Amsterdams Filmhuis, Amsterdam
1991 Faculty show, School of Art, California Institute of the Arts
1990 Mostra internazionale del nuovo cinema, Pesaro, Italy, retrospective of American
Independent Films of the 1980s
“Beyond Illusion: American Film and Video Art, 1965-1975”, in conjunction with “The New
Sculpture, 1965-1975: Between Geometry and Gesture”, Whitney Museum of American Art
“Metamedia”, in conjunction with “Image World: Art and Media Culture”, Whitney Museum
of American Art
1989 “What’s Wrong with These Pictures?”, retrospective (with George Landow),
The American Museum of the Moving Image, New York
1988 “mot:dites, image”, Musée National dʼArt Moderne, Centre Pompidou, Paris (C)
“Independent America; New Film 1978-1988,” American Museum of the Moving Image, New York
1987 “Text as Image”, Pacific Film Archive
1985 Biennial Exhibition, Whitney Museum of American Art, New York (C)
New York Film Festival
1983 “Word Works”, Walker Art Center, Minneapolis
“Film as Installation II”, The Clocktower, New York
1982 “Ten Years of Living Cinema”, Collective for Living Cinema, New York (C)
1981 “West Coast”, Anthology Film Archives, New York (C)
“American and French Independent Cinema”, Padiglione d’arte contemporanea/Cineteca
italiana, Milan (C)
P.S. 1, Long Island City, New York
1980 “’The Pleasure Dome’, American Experimental Film, 1939-1979”, Moderna Museet,
Stockholm
1979 “The New West,” curated by Jack Goldstein, The Kitchen, New York
“Re-Visions,” Whitney Museum of American Art, New York (gallery leaflet); curated by John G.
Hanhardt
1978 International Forum of Young Cinema, Berlin International Film Festival, curated by John G.
Hanhardt
“Frameworks”, Water Street Branch, Whitney Museum of American Art
“Artists’ Film“, Artists Space, New York
1977 “The Poetic Eye: Perspectives on the American Independent Film, 1923-1977”,
Los Angeles County Museum of Art
“Time”, Philadelphia College of Art (C)
“The Moving Image/N.Y. State”, Tour program organized by Gerald O”Grady
“Film Spaces”, Art Gallery, Mount San Antonio College, Walnut Creek,
California
1976 “Text and Image”, New American Filmmakers Series, Whitney Museum of American Art,
New York
“Fisher/Serra/Shulman”, New American Filmmakers Series, Whitney Museum of
American Art, New York
“Neue Avantgardefilme aus den USA”, Werkstattkino, Munich
1975 “Stills”, New American Filmmakers Series, Whitney Museum of American Art, New York
Institute of Contemporary Art, London
1974 “Thom Andersen / Morgan Fisher”, Theatre Vanguard, Los Angeles
1973 Walker Art Center, Minneapolis
Independent Film Festival, National Film Theatre, London
1970 “Information”, Museum of Modern Art, New York (C)
“North American Filmmakers: At Home and Abroad”, Tour program organized by the
Film Department, Museum of Modern Art

Selected Group Screenings

2009 “Aspect Ratio,” Rotterdam International Film Festival, Rotterdam; curated by Edwin Carels
“Restoring the Los Angeles Avant-Garde: Thom Andersen and Morgan Fisher,” Hammer Museum,
UCLA, Los Angeles, co-presented with the UCLA Film and Television Archive and Los Angeles
Filmforum; curated by Mark Toscano
2008 “Los Angeles,” in “Paul McCarthy: Film List,” a series of programs of films and videos curated by
Paul McCarthy to accompany his one-person show at the Whitney Museum of American Art, New
York
“Sunshine Noir” in “Los Angeles: Eine Stadt im Film; A City on Film”; a retrospective of the
Viennale and the Austrian Film Museum, Vienna (catalogue); curated by Thom Andersen
2007 “Kinomuseum,” Oberhausen International Short Film Festival, Oberhausen, Germany (publication)
2006 “Expanded Cinema: Film als Spektakel, Ereignis und Performance,” Hartware Medien Kunst
Verein, Dortmund (program also presented at Württembergischer Kunstverein Stuttgart); curated
by Mark Webber
2005 Edinburgh International Film Festival, Edinburgh
“Thom Andersen and Morgan Fisher,” Galerie Daniel Buchholz, Cologne (presented at the
Kölnischer Kunstverein, Cologne)
2004 Rotterdam International Film Festival, Rotterdam
International Forum of Young Cinema, Berlin International Film Festival, Berlin
The Robert Flaherty Film Seminar, New York
Toronto International Film Festival, Toronto
Athens International Film Festival, Athens
London International Film Festival, London
2003 “Turbulent Screen; Die strukturelle Bewegung in Film und Video,” Edith-Ruß-Haus für
Medienkunst, Oldenburg; curated by Rosanne Altstatt and Ralf Sausmikat
“Views from the Avant–Garde,” New York Film Festival, New York; curated by Mark McElhatten
and Gavin Smith
2001 “Two Film Screenings Organized by Christopher Williams (Poster, Introductory Remarks and Film
Screening) For the Exhibition, ʻIn Between Art and Architecture,ʼ” Silver Screen Theater, Pacific
Design Center/MAK Center for Art and Architecture, Los Angeles
1999 “A History of European Cinema through Technical Evolution,” Festival dei Popoli, Florence
1995 Inaugural film screening, ACME. Gallery, Santa Monica
1994 “Scratching the Belly of the Beast; Cutting-Edge Media in Los Angeles, 1922-1994,” Filmforum,
Los Angeles (catalogue)
1993 “Fade to Black,” Eldorado Centrum voor Beeldcultuur, Antwerp
The Robert Flaherty Film Seminar, New York
Stichting Amsterdams Filmhuis, Amsterdam
1992 “Unknown Territories: American Independent Film,” presented by Sixpack Film at the Vienna Film
Theatre, Vienna
1990 Mostra internazionale del nuovo cinema, Pesaro, Italy
1998 INPUT 88 (International Public Television screening conference), Philadelphia
1976 “Neue Avantgardefilme aus den USA,” Werkstattkino, Munich
Institute of Contemporary Art, London
1974 “Thom Andersen/Morgan Fisher,” Theatre Vanguard, Los Angeles
1973 Walker Art Center, Minneapolis
1969 Oberhausen International Short Film Festival, Oberhausen
Visiting Artist / Lectures
2007 École Nationale des Beaux-Arts, Lyon (Visiting artist)
1998 Merz Akademie, Stuttgart
Städelschule, Frankfurt
1997 Otis College of Art and Design, Los Angeles (Visiting artist)
Art Center College of Design, Pasadena, California (Visiting artist)
School of Film/Video, California Institute of the Arts, Valencia, California (Visiting artist)
1996 Art Department, University of California at Riverside (Visiting artist)
Occidental College, Los Angeles (Visiting artist)
1995 California Institute of the Arts (Visiting artist)
1992 Art Center College of Design, Pasadena (Visiting artist)
1986 Art Center College of Design, Pasadena (Visiting artist)
1980 Philadelphia College of Art, Philadelphia
1978 Contemporary Art Survey (lecture series), Art Department, UCLA
College of Creative Studies, University of California at Santa Barbara (Visiting artist)
Department of Visual Arts, University of California at San Diego
1977 Otis Art Institute, Los Angeles
Other Activities
1990 Juror, dramatic film competition, U.S. Sundance Film Festival, Park City, Utah
1986 Panelist, annual meeting at University Film and Video Association,
“Film in Los Angeles: The Avant Garde and the Industry”
1981 Member of the Board of Advisors, The Foundation for Art Resources
1980 Member of Evaluation Committee for The George A. and Eliza Gardner Howard Foundation
1977 Guest Editor “Journal”, No. 14, April-May, Los Angeles Institute of Contemporary Art
1976 Panelist, annual meeting of the College Art Association,
“Object/Illusion: The Filmic Dialectic”
Programming Secretary, The Los Angeles Independent Film Oasis, a cooperatively-run
non-profit screening organization for independent film (1976-78)
Grants and Fellowships
1989 Media Arts Program, National Endowment for the Arts
1988 California Arts Council
1987 Guggenheim Fellowship for Film
1980 Media Arts Program, National Endowment for the Arts

Collections

Whitney Museum of American Art, New York
FRAC Ile-de-France, Paris
Museum of Modern Art, San Francisco
Museum of Contemporary Art, Los Angeles
Museum of Modern Art, New York
Moderna Museet, Stockholm
Deutsche Kinemathek, Berlin

Press Release

 

Gallery I

Anna Ostoya

Exposures

Gallery II:

Tom Burr: Black Lab, 2002 & Oblong Box #2, 2002

Opening March 1^st, 2011 6-8pm

Bortolami Gallery is pleased to present the first New York solo exhibition of works by the Polish artist Anna Ostoya. The show will feature a series of new collages on canvas entitled Exposures that were all made during February 2011. For this series, Ostoya staged a durational performance. Each day, she began a new work with the aim of finishing 28 canvases-as many as there are days in February-by the time of the opening on March 1st.

Conceived in response to the Bortolami Gallery’s invitation, Exposures depends on pre-determined limits.  They were realized not only through the temporal restrictions of her daily regimen, but also through the physical restrictions of the 20 x 24-inch canvases on which she worked.  Other materials included newspaper and internet images, papier-mâché, gold leaf, and acrylic paint. Moving between her kitchen and studio, Ostoya made papier-mâché from unused papers creating compositions that operated somewhere between meticulous planning and improvisation. The scheduled time-too little for either lengthy reflection or extensive revision-became a test of her artistic efficiency and an experiment in creative manufacture. Performing like an udarnik (a super productive worker in Communist states), she attempted, in paradoxical fashion, to recapture enthusiasm and genuine spontaneity through disciplinary constraint. Exploring the tension between representation and abstraction, each canvas is marked by the day’s events and shaped by Ostoya’s creative responses. Through the combination of cheap paper and gold foil, she opened the work to questions about economic and ethical values, and through her accelerated timetable, she aligned her practice with industrial modes of cultural production.

Ostoya’s multi-media practice includes collage, painting, sculpture, and sound. Conceptually grounded, her work cuts through different art historical traditions and styles in order to elide prevailing fashion that endangers the critical and reflective potential of art. Rejecting the commonplace opposition of aestheticism and anti-art, Ostoya offers aesthetic objects that repeatedly direct the viewer towards the historical and institutional contexts of the work. Previous projects by the artist dealt with the subjects of violence and war, avant-garde histories, and the contemporary information glut.

Anna Ostoya was born in Krakow in 1978. In 2009, she graduated from the Whitney Independent Study Program in New York. Ostoya’s work has been exhibited at Tegenboschvanvreden in Amsterdam (2011); Galeria Foksal in Warsaw (2010); Center for Contemporary Art Kronika in Bytom (2010); the Center for Curatorial Studies, Bard College, Annandale-on-Hudson (2010); Lisson Gallery, London (2009); and Car Projects in Bologna (2009). She participated in Manifesta 7, Rovereto and the 2nd Athens Biennial. Upcoming exhibitions include a solo show at Silberkuppe in Berlin and a group show, Rearview Mirror, at The Power Plant in Toronto. She lives and works in New York.

Tom Burr‘s work may currently be seen at the FRAC Champagne-Ardenne in France. Recently, he has exhibited works in a two-person show (with Monica Bonvicini) at the Museum für Gegenwartskunst, Basel; as a part of ‘Rachel Harrison: Consider the Lobster and other Stories’ at the Hessl Museum at Bard College; in ‘The World is Yours’, curated by Anders Kold at the Louisiana Museum in Denmark; ‘Moby Dick’, curated by Jens Hoffman,at the CCA Wattis Institute for Contemporary Arts, San Francisco and in the exhibition ‘Saints and Sinners,’ curated by Laura Hoptman, at the Rose Art Museum, Brandeis University. He has held solo exhibitions at The Sculpture Center in New York, Vienna Secession, and Museé Cantonal des Beaux-Arts de Lausanne. Burr lives and works in Norfolk, CT and New York.

For more information please contact info@bortolamigallery.com or 212 727 2050.

Biography

born 1978, Krakow, Poland

lives and works in New York, NY

EDUCATION

2008 –2009

Whitney Independent Study Program, Studio Program, New York

2002 – 2006

Städelschule, Frankfurt/M, MFA

1997 – 2001

Parsons School of Art and Design, Paris, BFA

1997 –1997

Barbara Leoniak ZAR Atelier, Krakow

AWARDS AND RESIDENCIES

2010     ‘Artists-in-Residence Laboratory’, CCA Ujazdowski Castle, Warsaw

2009     ‘Mloda Polska’, Polish Ministry of Culture, scholarship award

2008     ‘Polish Culture’, The Adam Mickiewicz Institute, scholarship award

’07-‘08   ‘Atelierstipendium’, Hesse Cultural Foundation, Wiesbaden, residency in London, scholarship and publication

’06-‘07   ‘Gastatelier’, Atelierfrankfurt, Frankfurt/M, studio residency

’97-‘01   ‘Parsons School Scholarship’, Parsons School of Art and Design in Paris, scholarship award

SELECTED SOLO EXHIBITIONS

2011

‘Autopis III. Notes, Copies and Masterpieces’, Siberkuppe, Berlin

‘Exposures’, Bortolami Gallery, New York

‘Autopis II. Notes, Copies and Masterpieces’, curated by Michal Jachula, Tegenboschvanvreden Gallery, Amsterdam

2010

‘Autopsis. Notes, Copies and Masterpieces’, curated by Michal Jachula, Foksal Gallery, Warsaw

‘From a to ∞’, CCA Kronika, Bytom

2009

‘More Real Than What We See’, curated by Antonio Grulli, Car Projects, Bologna

2008

‘The Object and the Non-Objective World’, curated by Dagmar Heppner, Vrits, Basel

2006

‘It Might Be a Truth or a Lie, or Just the Sound of a Kiss’, Schnittraum, Cologne

SELECTED GROUP EXHIBITIONS

2012

“Rearview Mirror”, curated by Christopher Eamon, Art Gallery of Alberta, Canada

2011

“Soft Machines”, at Pace Gallery, New York, curated by Sarvia Jasso and Harmony Murphy

“Footnote 6: As Model”, at Miguel Abreu gallery, New York, curated by Barbara Piwowarska

“Rearview Mirror”, curated by Christopher Eamon, The Power Plant, Toronto, Canada

2010

‘Footnote 2. Correction’, Silberkuppe, Berlin, curated by Barbara Piwowarska

‘What a Difference a Day Makes’, Galerie Andreas Grimm, Munich, curated by Christopher Eamon

‘Cornered Rooms’, Waterside Project Space, London, curated by Annabelle von Girsewald

‘Derangement’, CCS Bard College, Annandale-on-Hudson, NY, curated by Michal Jachula

2009

‘Lisson presents 6’, Lisson Gallery, London, curated by Elena Crippa & Ryan Gander

‘Heaven’, 2nd Athens Biennale, curated by Zafos Xagoraris

‘Marginalia’, CCS Bulletin Board Project, CCS Bard College, Annandale-on-Hudson, NY, curated by Michal Jachula

‘Whitney ISP Exhibition ‘09’, Art in General, New York

‘Financial District’, ISCP, New York, curated by Miguel Amado

2008

‘Manifesta 7, The European Biennial of Contemporary Art’, Rovereto, curated by Adam Budak

‘Something Must Break!’, Myslowice, curated by Sebastian Cichocki

‘Hotel Kyjev: Time’s Up’, Hotel Kyjev, Bratislava, curated by Lilian Fellmann

2007

‘Malarstwo polskie XXI w.’ (Polish Painting of XXI), Zacheta National Gallery, Warsaw

‘Aufzeichnung/Zapis 1, 2, 3’ (Recording), Artpol, Krakow & Atelierfrankfurt, Frankfurt/M

2006

‘Me and My Rhythm Box’, Silverman Gallery, San Francisco,

2005

‘compulsive_handmades’, Exit Gallery, Skopje

‘Missing Identity’, Museum of Art, Pristhina, Portikus, Frankfurt/M

2004

‘Dream Universe’, Portikus, Frankfurt/M, (G)

WORKSHOPS, FESTIVALS AND LECTURES

‘04-’10   ‘Anna Ostoya, Artist Talk’ CCA Ujazdowski Castle, Warsaw, ‘Knights Move’, curated by Fionn Meade, Sculpture Centre, New York ‘Pecha Kucha’, curated by Annais Lellouche, ISCP, New York, ‘Art Approaches’, lecture, The Ruskin School of Drawing and Fine Arts, University of Oxford, ‘Saturday Afternoon, 1st of December, Leeds’, radio: Resonance FM (London), Radio Papesse & RAI FM (Italy), ‘When Kittens Become Cats’, Frankfurter Kunstverein, ‘Art and Communism’, symposium, co-organization, Staedelschule, Frankfurt/M , ‘herbstCamp’, workshop, Graz, ‘Politics of the Image’, symposium, co-organization, Staedelschule, Frankfurt/M, ‘Attention!’ Polish Art Festival, installation in public space, Weimar, ‘Missing Identity’, Relations Organization project in Kosovo, Pristina and Frankfurt/M

SELECTED BIBLIOGRAPHY

2011

‘Spiegelen, maar dan letterlijk genomen’, Door Hans Den Hartog Jager, NRC Handelsblad, NRC Next, January 2011

2010

‘Wnuczka z Cabaret Voltaire’, Stach Szablowski, Przekroj, no. 47, November 2010

‘Sasnal usmarowany’, Zofia Smolinska, Dziennik, Gazeta Prawna Kultura no. 45, November 2010

‘Autopis. Notes, Copies and Masterpieces’, artist book, Foksal Gallery, 2010

‘Cornered Rooms’, Laura McClean-Ferris, Art Monthly no. 340, October 2010, Response by Anna Ostoya no. 342, December 2010

‘Porządkowanie znaczeń’, quarterly Opcje, no. 1 (78), April 2010

‘Flash Reviews. Anna Ostoya, Car Projects’, Flash Art Italian Edition no. 279, December- January 2010

2009

‘Anna Ostoya. Bologna, Car projects’, Exhibitart.com, October 22, 2009

‘Heaven’, 2nd Athens Biennial catalog, Athens, 2009

2008

‘Index Manifesta’, Manifesta 7 catalog, Rovereto, 2008

‘The Object and the Non-Objective World’, catalog, Vrits, Basel, 2008

‘Aufzeichnung/Zapis’ (Recording), catalog, Atelier Frankfurt, Frankfurt/M, 2008

2006

‘Sag mir deinen Namen und ich sag’ dir wie du heißt’, Vanessa Joan Mueller, Sophie Marceau catalog, F.A.I.T. Gallery, Krakow, 2006

Biography

Born in New Haven 1963
Lives and works in Norfolk, CT and New York, NY

Education

1987-1988 Whitney Independent Study Program, New York

1982-1986 School of Visual Arts, New York

Residencies/Teaching

Critic in Sculpture, Yale University, New Haven, Connecticut, 2009-2010

Artist in Residence, Randolph Cliff, Edinburgh College of Art, Scotland, 2010

Selected Solo Exhibitions

2012

Galerie Neu, Berlin (forthcoming)

Bortolami Gallery, New York (forthcoming)

2011

Cloud in Trousers, Citta della Pieve, Umbria, Italy (forthcoming)

Stuart Shave/Modern Art, London

New York, Sommer Gallery, Tel-Aviv, Israel

Felt Under Fingers, Almine Rech Galerie, Brussels

Gravity Moves Me FRAC Champagne-Ardenne, France

2010

Murmur, MD72, Berlin

Four Sides to Myself, Bortolami Gallery, NY

2009

Sentence, Bortolami Gallery, New York

Bonvicini/Burr, with Monica Bonvicini, Städtische Galerie im Lenbachhaus und Kunstbau, Munich, travelling to Museum für Gegenwartskunst, Basel

Stuart Shave/Modern Art, London

2008

Descending, Galleria Franco Noero, Turin

Addict – Love, Sculpture Center, New York

Black and Blue, Galerie Almine Rech, Paris

2007

Anxiety – A Showcase, Schinkel Pavillon, Berlin

Swiss Institute, New York (with Walter Pfeiffer)

Moods, Secession, Vienna

2006

Extrospective, Museé Cantonal des Beaux-Arts de Lausanne

Relapse, Stuart Shave/Modern Art, London

2005

Complete Breakdown, Galerie Neu, Berlin

Privy, Please, The Norfolk Library, Norfolk (Connecticut)

The Complete Stories of Truman Capote, romaromaroma, Rome

2004

Our Lady of the Flowers, Galleria Franco Noero, Turin

2003

Gone, Gone, American Fine Arts, New York

Die Stalle/The Stalls, Galerie Christian Nagel, Cologne

The Screens, Institute for Visual Culture, Cambridge

2002

Piscine, Galerie Almine Rech, Paris

Deep Purple, Whitney Museum of American Art, New York

Dog Days, Greene Naftali Gallery, New York

2001

Brutalism, Galerie Neu

2000

Low Slung, Kunstverein Braunschweig, Braunschweig

1999

Black Box, Artforum Berlin, Galerie Neu, Berlin

Private Property: Anti-Public Sculpture, Galerie Almine Reich, Paris

1998

Surface, Galerie Neu, Berlin

The Medical Show, Galeria Marta Cervera, Madrid

1997

Stainless, American Fine Arts, New York

1995

42nd Street Structures, American Fine Arts, New York

1994

American Fine Arts, New York

1992

White Columns, New York

Group exhibitions

2012

Utopia Gesamtkunstwerk, 21er Haus, Belvedere Museum, Vienna

2011

The Smithson Effect, Utah Museum of Fine Arts, Salt Lake City

SHAPES, Sammlung-Haubrok, Berlin,Germany

2010

Missing Beat, Sommer Gallery, Tel-Aviv, Isreal

“…”, Galerie Neu, Berlin

ABOUT US, Johann König, Berlin, Germany

Cumulus, Blum & Poe, Los Angeles, CA

Forced Exposure, Team Gallery, New York, NY

The New Décor, The Hayward Gallery, London, UK

Mixed Use, Manhattan: Photography and Related Practices 1970s to the present, Nacional Centro de Arte Reina Sofia, Madrid, Spain

The Page, Kimmerich Gallery, New York, NY

Light Breaks Where No Sun Shines, Bortolami Gallery at The Webster, Miami Beach

Wall & Floor, Galerie Almine Rech, Paris, France

2009

Moby Dick, Curated by Jens Hoffman, CCA Wattis Institute for Contemporary Arts, San Francisco, September- December 2009

The World is Yours, Louisiana Museum, Denmark, September- December

Rachel Harrison:  Consider the Lobster and other Essays, Center for Curatorial Studies and Hessel Museum of Art at Bard College (CCS Bard), Annendale-on Hudson, New York, June- December 2009

Saints and Sinners, curated by Laura Hoptman, Rose Art Museum, Brandeis University, Boston

The Station curated by Shamim Momin & Nate Lowman Miami, Florida

Abstract America: New Painting and Sculpture, Saatchi Gallery, London

Political/Minimal curated by Klaus Biesenbach Kunst-Werke Berlin e.V. – KW Institute for Contemporary Art, Berlin

Recollection curated by Gianni Jetzer Barriera, Turin, Italy Nov. 2008-Jan. 2009

La Fête Est Permanente / The Eternal Network FRAC – Champagne-Ardenne, Reims

2008

The Eternal Flame. On the Promise of Eternity, Kunsthaus Baselland, Muttenz

Not So Subtle Subtitle, Casey Kaplan Gallery, New York

Marc Camille Chaimowitz, …In The Cherished Company of Others…, De Appel,

Amsterdam/PMMK, Oostende

Sammlung/Collection 1978–2008, Migros Museum für Gegenwartskunst, Zurich

Fais en sorte que je puisse te parler/Mache, dass ich zu dir sprechen kann/Act so that I can speak to you, Kamm, Berlin

A new High in Getting Low (NYC), John Connelly Presents, New York

Photos and Phantasy: Selections from the Frederick R. Weisman Art Foundation,

Carnegie Art Museum, Oxnard

Une Saison à Bruxelles, Dépendance, Brussels

2007

Walk!, Kunstraum Kreuzberg/Bethanien, Berlin

Oh Girl, It’s a Boy!, Munich Kunstverein, Munich

Body Politicx, Witte de With, Rotterdam

At Home, Curated by Mario Testino, Yvon Lambert project space, New York

The Happiness of Objects, Sculpture Centre, Long Island, New York

Unmonumental: Falling to Pieces in the 21st Century, Curated by Richard Flood, Laura Hoptman and Massimiliano Gioni, The New Museum, New York

OMNIA VANITAS: VANITY IS ALL, Gavlack Gallery, Los Angeles

Pale Carnage, Arnolfini, Bristol, travelling to; Dundee Contemporary Arts, Dundee

2006

Wieder und Wider, Performance, MUMOK, Vienna

The Eighth Square, Museum Ludwig, Cologne

The Name of This Show Is Not GAY ART NOW, Paul Kasmin Gallery, New York, curated by Jack Pierson

Warum etwas zeigen, was man sehen kann, Galerie fur Zeitgenossische Kunst, Leipzig

2005

HaubrokShows. B Sharp, Xantener Strasse 7, Berlin

Down the Garden Path: The Artist’s Garden After Modernism, Queens Museum of Art, New York

Nolens Volens, Galerie Neu, Berlin

EXILE New York is a good Hotel, Broadway 1602, New York

Residence, MICA Foundation, New York

2004

Trafic d’influence: Art & Design, Collection Frac Nord Pas-de-Calais, Dunkerque

Election, American Fine Art, Colin de Land Fine Art, New York

When the lights go out…, Cohan & Leslie, New York

The Future Has a Silver Lining, Migros Museum fur Gegenwartskunst, Zurich

Braunschweig Parcours 2004, Braunschweig

Whitney Biennial 2004, Whitney Museum of American Art, New York

Beginning Here: 101 Ways, Visual Arts Gallery, New York

Strange Weather, Modern Art, London

It’s all an Illusion, Migros Museum fur Gegenwartskunst, Zurich

Flowers Observed, Flowers Transformed, The Andy Warhol Museum, Pittsburgh

2003

Le Rayon Noir, Circuit-Assossiation d’Art Contemporain, Lausanne

New Space! Group Show!, Galleria Franco Noero, Turin

2002

Grey Gardens, Michael Kohn Gallery, Los Angeles

My head is on fire but my heart is full of love, Charlottenborg Udstillings-bygning, Copenhagen

Xeros, Ecole du Magasin, Center National d’Art Contemporain, Grenoble

2001

Deliberate Living, Greene Naftali Gallery, New York

Parttnerschaften – Unterbrochene Karrieren, Neue Gessellschaft fur Bildende Kunst, Berlin

American Fine Arts, New York

2000

Quiet Life, Ursula Blickle Stiftung, Kraichtal-Unterowisheim, curated by Michael Neff

Sightings, Bard College, Annandale-on-Hudson, New York, curated by Jeffrey Walkowiak

Space Open 2000, Space studios, London

1998

Model, Galerie Belvedere, Vienna, Austria

I Hate Movies, Andrew Kreps Gallery, New York, curated by Tom Borgese

Parasite, The Drawing Center, New York

1997

Sans Titre, Froment + Putman, Paris

1996

Disappeared, Randolph Street Gallery, Chicago

American Fine Arts, New York

Ideal Standard Life, Spiral Garden, Tokyo

Gramercy International Art Fair, New York

1995

Birgit Kung, Zurich

_Architectures of Display _with architect Toshiko Mori, organized by Minetta Brook, New York

Platzwechsel (with Ursula Biemann, Mark Dion, Christian Philipp Muller), Kunsthalle Zurich und Schweizer National – museum, Zurich

Mapping: A Response to MOMA, American Fine Arts, New York

1994

Architecture and Display, Architectural League of New York and Minetta Book, New York (with Toshiko Mori)

Lace, Los Angeles, California

The New Museum of Contemporary Art, New York

1993

Kontext Kunst, Kunstlerhaus Graz, Austria

What Happened to the Institutional Critique, curated by James Meyer, American Fine Arts, New York

Social Subjects, YYZ, Toronto, Ontario

Sonsbeek 93, Arnheim

Projet Unité, Firminy

1992

White Columns, New York (Catalogue)

American Fine Arts, New York

1989

Paula Allen Gallery, New York

American Fine Arts, New York

1988

Hallwalls Contemporary Arts Center, Buffalo, New York

Whitney Independent Study Program,Open Studios , New York

Biography

Born in 1969

Lives and works in Berlin.

1992 – 1997 Staatliche Hochschule für Bildende Künste, Frankfurt/M.

Solo Exhibitions

2011

I’m red, she’s yellow, we’re blue, Carl Freedman, London (upcoming)

Would You Take The Ball From A Little Baby, Bortolami, New York

Thilo Heinzmann, Galerie Guido W. Baudauch, Berlin- Wedding

2010   

Straight from the cotton fields. Naked. It’s unbelievable, Galerie Guido W. Baudach, Berlin – Charlottenburg

Thilo Heinzmann ( with Martin Neumaier) , dépendance, Bruxelles

Thilo Heinzmann, Galeria Heinrich Ehrhardt, Madrid

2009   

Thilo Heinzmann, Galerie Bernd Kugler, Innsbruck, Austria

Thilo Heinzmann, Andersen’s Contemporary, Kopenhagen

Thilo Heinzmann, Carl Freedman Gallery, London

Wie geht es Dir! (with Gotscha Gosalishvili), Kunstverein Heppenheim

die Liebe, Galerie Christine Mayer, Munich

2008   

an  empty stomach is the devil’s playground, Bortolami, New York

Thilo Heinzmann, Galerie Guido W. Baudach, Berlin

Thilo Heinzmann, Galerie Parisa Kind, Frankfurt/M.

2007   

Galeria Heinrich Erhardt, Madrid (cat.)

Galerie Bernd Kugler, Innsbruck (cat.)

2006   

Thilo Heinzmann, Galerie Parisa Kind, Frankfurt

Galerie Christine Mayer, Munich

 Thilo Heinzmann, Galerie Guido W. Baudach, Berlin

2005   

zum atmen und wünschen, Galerie Kugler, Innsbruck

2004   

Schönheit, Pracht, Wollust und Gelassenheit, Galerie Guido W. Baudach, Berlin

Alle Jahre, alle Tage, Galerie Christine Mayer, München

2003   

The hand, the heart, the soul, Galeria Heinrich Ehrhardt, Madrid

12 Zeichnungen, Galerie Parisa Kind, Frankfurt

2002   

She told me to be there, Galerie Christine Mayer, München

When a woman loves a man, Galerie Guido W. Baudach, Berlin

Das große WASSERMONDWELLENSCHWERTSCHIFF, Galerie Michael Neff, Frankfurt/M.

The year and the woman, aspreyjacques, London

2000   

JOY N PAIN SUNSHINE N RAIN, Galerie Michael Neff, Frankfurt/M.

1999   

1. Diciembre 1999 – 29. Enero 2000 (mit Thomas Zipp), Galeria Heinrich Ehrhardt, Madrid

1997   

Thilo Heinzmann, Galerie NEU, Berlin

Thilo Heinzmann – Thomas Zipp, Galerie ak, Hans Sworowski, Frankfurt/M.

1996

31, Corbin House, London

1995   

Malerei, Hammelehle und Ahrens, Stuttgart

Skulptur, Birgit Küng, Zürich

1994   

 Body Language, Michael Neff, Frankfurt/M.

1993   

Joy, Hope, Passion, Eternity, Gartner’s, Frankfurt/M.

Group Exhibitions (Selected)

2011   

Neue Welt, Autocenter on location in Basel

Masterpieces of Painting in the Collection of IVAM. Past, Present and Future, IVAM Institut Valencià d’Art Modern, Valencia

Fruchtbaresland, Carl Freedman Gallery, London

True Faith, Andersen’s Contemporary, Denmark

Masterpieces of Painting in the Collection of the IVAM.  Past, Present and Future, IVAM Institut Valencià d’Art Modern, Valencia

Fruchtbaresland, Carl Freedman Gallery, London

2010   

Redressing, Bortolami Gallery, New York

Transzendenz Inc. Autocenter, Berlin (cat.)

Schwarzgold, Schloss Beesenstedt/Halle

Sommershow 2010, Galerie Christine Mayer, Munich

Seated Man, Carl Freedman Gallery, London

HARTE, Silvershed, New York

Autocenter presents: 100th Exhibition, Autocenter, Berlin

Galerie Christine Mayer – Showroom, Munich

2009   

Out of Wedding, UferHallen, Berlin

Crisscross, Wanniek Gallery, Brno

5 years for friends, Galerie Bernd Kugler, Innsbruck

Crotla Presents, lothringer13/laden, Munich

BERLIN, 2000, PaceWildenstein, New York

Stiftung für Futuristische Forschung (SFF), Kasino am Wienberg, Neuruppin

2008   

Moraltarantula 2, Hamburg

Boxer, Literaturhaus Frankfurt/M.

80 x 40, Uferhallen, Berlin

Garage Sale, Galerie Parisa Kind, Frankfurt/M.

That’s The Way It Is, Galerie Guido W. Baudach, Berlin (cat.)

Andersen’s Wohnung Revisited 1996-1999, Andersen’s Contemporary, Berlin

Hedwig, Baronian_Francey, Brussels

Zuordnungsprobleme, Johann König GmbH, Berlin

Kommando Giotto di Bondone, Giò Marconi, Milan

Hotel Marienbad 002. Sammlung Rausch, KW Berlin

12, Galerie Kugler, Innsbruck

Kommando Tilman Riemenschneider. Europa 2008, Hospitalhof Stuttgart (cat.)

Das Grosse Nichts, Kurator 2007/2008, Gebert Stiftung für Kultur, Rapperswil-Jona, Switzerland

Yellow Snow, La Maison Jaune (Patricia Low Contemporary), Gstaad

Untitled, 6 x 2, 2008, M.1 Arthur Bokskamp-Stiftung, Hohenlockstedt

Pop-Auge und die ewigen Quatschkommoden – Deutsche und Amerikanische Kunst seit 1999, Patrick Painter Gallery, Los Angeles

Die Kunst der Landwirtschaft, Tiroler Landesmuseum, Innsbruck (cat.)

2007   

return to forever, forever and a day Büro, Berlin

Kommando Calvin Cohn New York, Salon 94, New York

Thilo Heinzmann, Antoni Llena, Bojan Sarcevic, Bortolami Gallery, New York

Kommando Friedrich Hölderlin Berlin, Galerie Max Hetzler, Berlin (cat.)

Heretic & Co. – The Golden City, Jiri Svestka, Prague

Gallery swap with Galerie Guido W. Baudach, Hotel, London

Moraltarantula, Hamburg

Fresh Trips/ Niveauararm, Kunstraum Innsbruck

La Boum III, Warsaw (cat.)

Substance & Surface, Bortolami Gallery, New York

It takes Something to make Something Portikus, Frankfurt/M. (cat.)

Works on Paper, Galerie Christine Mayer, Munich

Horizont, Bethanien, Berlin

Optik Schröder, Kunstverein Braunschweig (cat.)

2006   

Ketzer & Co. – Montage auf der Achse Brünn-Berlin, Haus der Kunst, Brno (cat.)

2005   

Papier, Galerie Guido W. Baudach, Berlin

36 x 27 x 10, Volkspalast, Berlin

3 Jahre “forever and a day Büro” Forever and a Day Büro, Berlin

Galerie Nomadenoase (mit André Butzer) London

2004   

Guido W. Baudach, Galerie Guido W. Baudach, Berlin

Samm lung Furler, Berlin (cat.)

Frohe Zukunft, Halle für Kunst, Lüneburg

Kommando Pfannenkuchen, Daniel Hug Gallery, Los Angeles

Invite #8, Klosterfelde, Berlin

Helbo II, Galerie Na Bidylku, Brünn (cat.)

2003   

Hands up, Baby, hands up!, Oldenburger Kunstverein

deutschemalereizweitausenddrei, Frankfurter Kunstverein (Kat.)

DIOÉ, Hamburg

Licht an, Atelier Paul-Heysestr. 17, Munich

Helbo, Brotherslasher, Köln

2002   

Friede, Freiheit, Freude, Galerie Guido W. Baudach, Berlin

Große Kunstausstellung Sommer 2002 im Pazifik, PAZIFIK, Berlin

Christian Flamm, Thilo Heinzmann, Michel Majerus, Antje Majewski, Nader, aspreyjacques, London

Cruisen, Diskurs Alpha bis Omega, Konigsbau, Stuttgart

2001   

Viva November, Städtische Galerie Wolfsburg (Kat.)

Musterkarte, Modelos de Pintura Alemana, Galeria Heinrich Ehrhardt, Madrid (Kat.)

MONTANA SACRA (Circles 5), ZKM, Karlsruhe (Kat.)

Sibirien Forellen Express, Maschenmode, Berlin

2000   

Berlin – Binnendifferenz, Galerie Krinzinger, Wien/Bregenz/Salzburg/Innsbruck

Genre Painting, G7, Berlin

Death Race 2000, Thread Waxing Space, New York

Turning into a loop, Gio Marconi, Mailand

1999   

Malerei, Init Kunsthalle, Berlin

On Paper, Galerie Stalke, Kopenhagen

Otto hat Besuch, O.T.T.O., Kopenhagen

Offencia Europa, Galleria d’Arte Moderna, Bologna

1998   

Junge Szene, Secession, Wien

Galerie MXM, Prag

1997   

Ex-Centrics, Vordingborg

W 5, rumford, München

To show you what’s NEU, Galerie NEU, Berlin, und Galerie Stahlke, Kopenhagen

Andersens Wohnung, Berlin

1996   

Papier, Galerie Bärbel Grässlin, Frankfurt/M.Cruise, Friedensallee 12, Hamburg

1995   

Spiele, Galerie & Edition Artelier, Graz

Pointen, Innsbruck

1994   

Man’s World, Kunstverein Offenburg

Best of five Ausstellungsraum Amraserstraße, Innsbruck

1993   

Männerkunst – Frauenkunst, Kunstverein Kippenberger, Fridericianum Kassel

1992   

Mit Lust und Liebe, Galerie Klewan, München

Collections

Tate Museum, London

Press

Coming soon.

Biography

Born 1978 in San Diego.

Lives and works in Brooklyn.

Education

Yale School of Art, MFA 2007

California State University Long Beach, BFA 2005

Awards

Acacia Grant, 2009

Ralph Mayer Prize, Yale School of Art, 2007

Joy of Life Award, CSULB, 2005

Fine Arts Affiliate Award, CSULB, 2004

Residencies

Via Farini – in – Residence, Milan, Italy, 2009

Exhibitions

2010              

 The End of the Affair, The Fireplace Project, East Hampton, NY

2009              

Bortolami Gallery (Solo), New York (Summer 2009)            

2008              

Solo Presentation at Artissima, Turin, Italy

2007              

The Recognitions curated by David Salle, The Fireplace Project, East Hampton, NY

Yale Thesis Show, Yale School of Art Gallery, New Haven, CT

2005              

Wide World of Sports, Gatov East Gallery, CSULB, Long Beach CA

Snow Show, Mallards Bay, Big Bear, CA

2004              

Who Killed Painting, Gallery 5, CSULB, Long Beach, CA

2002              

Response to Siqueiros, Santa Barbara Museum of Art, Santa Barbara, CA

Biography

Born 1969, Goole Yorkshire, England

Lives and works in London

 

Solo Exhibitions

2008

The Penultimate Straw, Herald St., London, UK

The Trial Continues, Bortolami, New York

The Fisters/Scott King, European Championships of Graphic Design, Museum of Graphic Design, Breda, Netherlands

Pieces, Artist’s project, commission by Tesesco foundation, Pisa, Italy

Marxist Disco (CANCELLED), Munich Kunstverein, Munich

2006

Information, Bortolami Dayan, New York

Oh! Pylon Heaven, Sonia Rosso, Turin

‘And The Pylons Stretched For Miles’, Herald Street, London, UK

‘Scott King’, Frac Nord-Pas de Calais, Dunkirk, France

2005

Statements, Sonia Rosso, Basel 36, Switzerland

2004

Scott King, Sonia Rosso, Turin, Italy

Scott King, Millers Terrace, London

2003

Issue Zero, CNEAI, Paris

Scott King, Supportico Lopez, Naples, Italy

2002

Scott King, Magnani, London

2000

Flatplan, Magnani, London

The Robin Hood Complex, Forde, Geneva

 

Selected Group Exhibitions

2011      

‘All of the above’, Carte Blanch à John M Armleder, Palais de Tokyo, Paris

Scott King and Richard Serra, Contemporary Art Museum, St. Louis

2010      

Newspeak: British Art Now, Part I, Saatchi Gallery, London

Newspeak: British Art Now, The State Hermitage Museum, St Petersburg, Russia

So Be It: Interventions in Printed Matter, Roth Gallery, New York

A.D.D. Attention Deficit Disorder, Palazzo Lucarini Contemporary, Trevi, Perugia

2009

Martian Museum of Terrestrial Art, Barbican Art Gallery, London

2008

100 Years, 100 Artists, 100 Works of Art, Rochelle School, London, UK

‘Nick Sanderson’, (curated by Scott King), Take Courage, London, UK

‘I Have (No) Issues’, Tracey Lawrence gallery, Vancouver, Canada

‘Sound of Music’ (selection from FRAC Nord collection), Espace 36, Saint-Omer, France

‘Neville Record covers’ NY

‘Blitzkrieg Bop’, Man & Eve, London, UK

‘All That is Solid Melts into Air / Winston’s Children’, Jeremy Deller and Scott King, Palais de Tokyo, Paris, France

‘Sympathy For The Devil: The Convergence of Art and Popular Music’, Museum of Contemporary Art, Miami, USA

‘TEMPORARY EYESORE’, artist’s commission, Bankside SE1, London, UK (commissioned by the Architecture Foundation)

‘Martian Museum of Terrestrial Art’, Barbican Art Gallery, London

‘Sound of Music’, Marres CCC, Maastricht, Netherlands

‘Publish & Be Damned’, Ludlow 38, New York, USA

‘Pop Goes The Weasel!’, Badischer-Kunstverein, Karlsrhue, Germany

‘Good News For People Who Love Bad News’, Studio 495/Swiss Institute, New York, USA (curated by Gianni Jetzer)

2007

‘Left Pop’, Moscow Museum of Modern Art (2nd Moscow Biennale), Russia

‘Scott King / Graphic Semantics’, Il Ju Art Space, Seoul, Korea

‘Sympathy For The Devil: The Convergence of Art and Popular Music’, Museum of Contemporary Art, Chicago, USA

‘Talk/Show’, Tranzit, Bratislava, Slovakia (curated by Stefan Kalmar/Daniel Pies)

‘The Sound of Music’, Kortrijk Museum, Belgium (travelling show)

‘Deaf 2’, Galerie Frank Elbaz, Paris, France (curated by Peter Coffin)

‘The Word In Art: From Futurism to the Present Day’, MART (Museo d’arte di Trento e RoveretoMuseo d’arte di Trento e Rovereto), Italy

‘Multiplex: Directions in Art, 1970 to Now’, Museum of Modern Art, New York, USA

2006

’25×25′ Cerealart, Philadelphia, PA, USA, (curated by Matthew Higgs & Amie Scally)

‘Che Guevara: Revolutionary and Icon’, Victoria & Albert Museum, London, UK

‘Defamation of Character’, PS 1, New York, USA (curated by Neville Wakefield)

‘Conversation Pieces’, Centre D’art Contemporain Geneve, Geneva, Switzerland

“People: Contemporary faces, bodies and signs from the collection of Ernesto Esposito’Museo d’Arte Contemporanea Donna Regina, Naples, Italy

2005

Lee Brilleaux Memorial Bench, White Columns, NYC, USA

Et Maintenant?, Crac Alsace , France

Post No Bills, White Columns, NYC

Bridge Freezes Before road, curated by Neville Wakefield, Gladstone gallery, NYC

Inaugural, Herald St, London

Herald St & The Modern Institute present, GBE, NYC

Other People’s projects, White Columns, NYC

Regarding Terror: The RAF Exhibition, Kunst-Werke, Berlin, Germany

2004

The Age Of Optimism, Kilchmann plus, Zurich, Switzerland

Communicate: British Graphic Design Since The Sixties, The Barbican, London

Inventory / Scott King/ Donald Urquhart presented by Wolfgang Tillmans, Portikus, Frankfurt, Germany

Louder This Time, curated by Sonia Rosso, Pordenone, Italy

The Black Album, Antonio Colombo Contemporary Art, Milan, Italy

Power, Corruption and Lies, Roth Horowitz, New York

2003

The Unique Phenomenon Of A Distance, Magnani, London

2002

Framing My View, Galleria Maze, Torino, Italy

Air Guitar, Milton Keynes Gallery, GB

Face/Off, Kettle’s Yard, Cambridge, GB

2001

Part False Part True Like Everything, San Filippo Neri, Turin

2000

Etat des Lieux #2, Centre d’Art Contemporain, Fribourg

1999

How Shall We Behave?, Robert Prime, London

CRASH!, ICA, London

CRASH!, billboard, the Westway, London, commissioned by the ICA

Urban Islands, Cubitt, London

1998

London’s Burning with Boredom Now, billboard, Cubitt, London

1997

The Problem Is You, ICA, London

Biography

Born 1970 in Warsaw, Poland
Lives and works in Warsaw

Solo Exhibitions

2009      

Geometry of Meat, Nicolas Krupp, Basel

Foksal Gallery Foundation, Warsaw

2007

Bortolami, New York

2005

Galerie Giti Nourbakhsch, Berlin
                                                                                                                                                                                                                           Foksal, Warsaw

Jack Hanley Gallery, Los Angeles

2004

Wrong Gallery, New York

Giti Nourbakhsch Gallery, Berlin

2003

Foksal Gallery Foundation, Warsaw

Transmisson Gallery, Glasgow

Selected Exhibitions and Projects

2006

Polish Painting of the 21st Century Zachnta, National Gallery of Art, Warsaw

Willa Warszawa, Raster Gallery, Warsaw

Infinite Painting. Contemporary Painting and Global Realism / Pittura Contemporanea e Realismo
Globale, Villa Manin Centro d’Arte Contemporanea, Passariano (cat.)

2004

Flash at War with Enigma, Kunsthalle Basel, Basel (cat.)

2003

Dreams and Conflicts: The Dictatorship of the Viewer, La Biennale di Venezia, Venice (cat.)

2001

Zawody malarskie / Painters’ Competition, Galeria Bielska BWA, Bielsko‐Biala (curated by Adam Szymczyk) (cat.)

Minus, Galeria Promocyjna, Warsaw (cat.)

1999

received the award of EXIT art magazine in the 34th National Painting Contest “Bielska Jesien ’99”

1998

Galeria Rotunda, Warsaw

November 1998 – November 1999 ‐ “Big Movement” (collaboration with Maciej Sawicki), various locations, Warsaw

Biography

Born 1974 in Naples, Italy

Lives in Los Angeles, CA  

Solo Exhibitions

2011   

Welcome to the Land of Opportunities, Uplands Gallery, Melbourne, Australia

2010   

LUMINOUS SPHERE, presented by L.A. Public Domain and LAXART with support from ForYourArt, The Standard Hotel, Hollywood, CA          

2009   

 Oh My God That’s So Awesome!, Bortolami, New York

2008   

Knives, Galleria Fonti, Napoli

2007   

Postcards from the Edge, Cosmic Galerie, Paris

Bortolami, New York

2005   

Galleria Fonti, Napoli

Let the devils do their job, Perry Rubenstein Gallery, New York.

February 2005, Galleri Christina Wilson, Copenhagen.

2004   

Killer Shrimps, 61.ma Mostra Internazionale D’Arte Cinematografica, Venezia.

The king is dead, Cosmic Galerie, Paris (with C. Jankovski and G. Motti)

2003    Statements, Art Basel Miami Beach Art Fair, Miami Beach

Maybe not even a nation of millions, Cosmic Galerie, Paris (with M. Simeone and M. Boggio Sella)

2002   

Faccio sul serio, Studio Massimo De Carlo, Milan

Again, Maze Gallery, Turin

Ecart, Basel Art Fair, care of John Armleder and Sylvie Fleury (with Laurent Pache)

La Folie de la Villa Médicis, care of C. Parisi, Académie de France à Rome (with M. Boggio Sella)

2001   

Tattoo, I-20 Gallery, New York

Voi non sapete chi mi credo di essere, Viafarini, Milan

2000   

Le mucche per Morra, Studio Morra, Naples

…Forever…, Maze Gallery, Turin

Selected Group Exhibitions

2011   

Temporary Stedelijk 2, Stedelijk Museum, Amsterdam

Progression Minus Progress, Romer Young Gallery, San Francisco, CA

PREMIO ITALIA ARTE CONTEMPORANEA 2010, MAXXI Museo Nazionale Delle Arti Del XXI Secolo, Rome

2010   

The Artist’s Museum, MoCA Museum of Contemporary Art, Los Angeles

The End of the World as We Know it, La Kunsthalle Mulhouse / La Fonderie Centre d’Art Contemporain, Mulhouse Cedex,  France

RE-DRESSING, Bortolami, New York

secret (still) knows, LAB, Los Angeles

Light Breaks Where No Sun Shines, Bortolami Gallery at The Webster, Miami  

Things that only an artist can do, MARCO, Museum of Contemporary Art, Vigo

A.D.D. Attention Deficit Disorder, Palazzo Lucarini Contemporary, Trevi, Perugia

2009   

Piero Golia and Fabian Marti, Swiss Institute, Rome

1999, China Art Objects, Los Angeles

New World Records, Curated by Helen Johnson and Nick Mangan, Sutton Gallery, Australia

2008   

California Biennial, Orange County Museum of Arts, curated by Lauri Firstenberg     

Site Santa Fe, Lucky Number Seven, Santa Fe, curated by Lance M. Fung

Retrospective, Gagosian Gallery, New York

The Light of the Virgo, China Art Objects Gallery, Los Angeles, CA

2007   

Moscow Biennale of Contemporary Art, Moscow. Care of J. Backstein, D. Birnbaum, I. Boubnova, N. Bourriaud, F. Erdemci, G. Kavar, R. Martinez, H.U. Obrist

Lara Favaretto, Francesco Gennari, Piero Golia, Massimo Grimaldi, Engholm Engelhorn Galerie, Vienna

Vesuvius, curated by G. Del Vecchio, Moderna Museet, Stockolm

Uncertain States of America, American Art in the 3rd Millenium, Le Musée de Sérignan; Galerie Rudolfinum, Prague, curated by curated by Gunnar B. Kvaran, Daniel Birnbaum, Hans-Ulrich Obrist           

Dialogues méditerrannéens, la Citadelle, Saint-Tropez, curated by Susanne van Hagen. 

Space Oddity, Cosmic Galerie, Paris

Où? Scènes du Sud : Espagne, Italie, Portugal. Le Carré d’art, Nîmes, curated by Françoise Cohen.

2007   

Looking Up, Mario Sequeira Gallery, June 9 – September 9

Substance & Surface, Bortolami, New York

2006   

Gold Standards, P.S.1, New York. Care of Bob Nickas and Walead Beshty

When fathers fail, Daniel Reich Gallery, New York, care of Guillame Rouchon

Grey Flags, Sculpture Center, New York, care of Anthony Huberman and Paul Pfeiffer.

Uncertain States of America- American Art in the 3^rd Millennium, Serpentine Gallery, London and Bard College, New York. care of H. U. Obrist, D. Birnbaum, G. Kvaran.

Survivor, Bortolami Dayan, New York, curated by David Rimanelli.

2005   

Uncertain States of America- American Art in the 3^rd Millennium, Astrup Fearnley Museum of Modern Art, Oslo, care of H. U. Obrist, D. Birnbaum, G. Kvaran.

Performa Biennal 2, 24 hours accidental, Swiss Institute, New York

Arte all’arte X, Galleria Continua, San Giminiano.

Closing Down, Bortolami Dayan, New York.

ID Troubles- US Visit, NURTUREart INC. , New York, care of Z. Erić, H. Munder and B. Steinbruegge.

2004   

I nuovi mostri, Fondazione Nicola Trussardi, Milano, care of M. Gioni

Narcissus: new visions of self-representation, Crac Alsace, Altkirch.

2003   

Assenze Presenze, une nouvelle génération d’artistes italiens, care of E. Lambion Le Botanique, Centre

Culturel de la Communauté Française Wallonie-Bruxelles, Bruxelles

Cosi va il Mondo, Espace Paul Ricard, Paris. Care of C. Laubard

Prague Biennal, National Galerie, Prague. Care of H. Kontova

Sukun, Museum Folkwang, Essen. Care of N. Sonmez

Sub Real: Reality Survival Strategies, Smart Project Space, Amsterdam. Care of B. Pietromarchi

2002   

Napoli Anno Zero, Qui e Ora, Castel Sant’Elmo, Naples. Curated by G. Maraniello

Radical and Critical, Fondazione Olivetti, Rome. Curated by B. Pietromarchi

There is a Light Which Never Goes Out, Villa Galvani, Pordenone. Curated by S. Rosso

2001   

I Tirana Biennial, National Gallery, Tirana. Curated by G. Politi

Cosa Arcana e stupenda, Sermoneta. Curated by A. Bellini

Schizzi, macchie e pensieri, care of P. Clerico Studio Massimo De Carlo, Milan

Invasione Italiana, Galleria Civica di Arte Contemporanea, Siracusa. Curated by S. Lacagnina

Play, Open Space, Milan. Curated by Gigiotto Del Vecchio

2000   

Castelli in aria, Museo di Castel Sant’ Elmo, Naples. Curated by A. Tecce

Lectures

2005    “The Vanishing”, The Royal Academy of Fine Arts, Copenhagen.

2004    “Something about Charlie”, MOCA, Los Angeles.

2003    “1987”, Accademia di Brera, Milano.

2002   “La differenza tra artefice e creatore nel pensiero aristotelico”,  Universita’ Bocconi, Milano.

Biography

(b.1971, London, England.)

Chelsea College of Art, London, MA 2003

Lives and works in London.

Solo Exhibitions

2011

We, the Children of the Twentieth Century, Almine Rech Gallery, Paris (forthcoming)

2010

Bortolami, New York

2008

Wave Grain in the Wall, Carl Freedman Gallery, London

2007

ART NOW, Tate Britain, London

Hole Here, Galerie Giti Nourbakhsch, Berlin

2006 

Country 10, Kunsthalle Basel, Switzerland

2005 

Overflow and Extinction, Carl Freedman Gallery (formerly Counter Gallery), London

2004

The Grey Point, Carl Freedman Gallery (formerly Counter Gallery), London

Group Exhibitions

2012

Contemporary Drawings, Tate Britain, 7 May-16 September 2012

2010

Newspeak: British Art Now, Part I, Saatchi Gallery, London

Light Breaks Where No Sun Shines, The Webster, Miami

Le Faux Miroir, curated by Bob Nickas, Galarie Rodolphe Janssen, Brussels, 2010

2009

Black Hole, CCA Andatx, Mallorca

Classified: Contemporary British Art from the Tate Collection, Tate Britain, London

Modern Modern, The Chelsea Art Museum, New York

2008

Space Now, Space Studios, London

Back to Black: Black in Current Painting, Kestner Hannover

Beyond Measure: Conversations Across Art and Science – curated by Barry Phipps, Kettles Yard, Cambridge

…same as it ever was, Painting at Chelsea 1990 – 2007 – curated by Clyde Hopkins, The Arts Gallery, London

How to Improve the World, 60 years of British Art – Arts Council Collection, 2006      Hayward Gallery, London

Motion on Paper, Ben Brown Fine Art, London

TOUTES COMPOSITIONS FLORALES, Counter Gallery, London

A Violet From Mother’s Grave, curated by Matthew Weir, Emily Tsingou Gallery, London

2005   

We Disagree, Andrew Kreps Gallery & Wrong Gallery, New York

2004

Death & Magic, Keith Talent Gallery, London

East End Academy, Whitechapel Art Gallery, London

2003

Red Mansion Prize, Lethaby Galleries, London

Bloomberg New Contemporaries, Cornerhouse, Manchester & 14 Wharf Road, London

Private Property, 357 Kingsland Road, London

2002   

Show Case 2, Lisu Gallery, John Islip Street, London

Awards

Red Mansion Prize, 2003

Biography

born 1972, Royal Oak, MI

lives and works in Los Angeles, CA

EDUCATION

2000 MFA, Otis College of Art and Design, Los Angeles, CA

1996 BFA, University of Michigan School of Art and Design, Ann Arbor, MI

SELECTED SOLO EXHIBITIONS

2012

Curls, Kinks and Waves, Galerie Almine Rech, Paris, France

2011

Clumsy Angels, Bortolami Gallery, New York, NY

2010

Susanne Hilberry Gallery, Ferndale, MI

2009

David Kordansky Gallery, Los Angeles, CA

2008

Patrick Hill, The Approach, London

2007

Forming, Bortolami, New York, NY

2006

Golden Syrup, The Approach (The Reliance), London, England

2005

Shane Campbell, Chicago, IL

2004

David Kordansky Gallery, Los Angeles, CA

SELECTED GROUP EXHIBITIONS(* indicates a publication)

2011

Powders, a Phial, and a Paper Book, Marlborough Gallery, New York

California Dreamin’ – Myths and Legends of Los Angeles, Galerie Almine Rech, Paris, France

2010

Re-Dressing, Bortolami Gallery, New York, NY

The Secret (Still) Knows, LAND, Los Angeles, CA

Held Up by Columns, Renwick Gallery, New York, NY

Leopards in the Temple, Sculpture Center, Long Island, NY

The Mass Ornament, curated by John Rassmussen, Gladstone Gallery, New York, NY*

The Story of O, Ben Maltz Gallery, Otis College of Art and Design, Los Angeles, CA

The Secret Knows, 508 House, Austin, TX

Mostly Sculpture Show, Sea and Space Explorations, Los Angeles, CA

Light Breaks Where No Sun Shines, Bortolami Gallery at the Webster, Miami

2009

Leopards in the Temple, curated by Fionn Meade, Sculpture Center, New York

Play With Your Marbles (Walead Beshty, Karl Haendel & Partick Hill) Noma Gallery, San Francisco, CA

Abstract America: New Painting and Sculpture from the U.S., Saatchi Gallery, London

Geoplay (Part II), Pilar Parra & Romero, Madrid, Spain

2008

Base: Object, curated by Cory Nomura, Andrea Rosen Gallery, New York, NY

Pruesspress@Rental, Rental, New York, NY

Whitney Biennial, Whitney Museum of American Art, NY

2007

Uneasy Angel, Imagine Los Angeles, curated by Johannes Fricke-Waldthausen, Galerie Sprüth Magers,

Munich, Germany

Sculptors’ Drawings: Ideas, Studies, Sketches, Proposals, And More, Angles Gallery,

Santa Monica CA

Exit Music (for a film), Grimm/Rosenfeld, Munich, Germany

2006

L.A. Trash & Treasure, Milliken Gallery, Stockholm, Sweden

Pure Land, Ratio 3, San Francisco, CA

Cloudbreak, Organized by David Kordansky, Hiromi Yoshii, Tokyo, Japan

Patrick Hill, Eileen Quinlan, Florian Schmidt, Galerie Kosak Hall, Vienna, Austria

Matthew Brannon, Wade Guyton, Patrick Hill, United Artists Ltd., Marfa, TX

Symmetry, Curated by Nizan Shaked and Kimberli Meyer, MAK Center at the Schindler House, Los Angeles, CA

2005

Shape Shifters, China Art Objects Galleries, Los Angeles, CA

Split, The Approach, London, England

Ask the Dust, D’Amelio Terras, New York, NY

Alpha Flight II, John Connelly Presents, New York, NY

L.A., Lucas Schoormans Gallery, New York, NY

2004

Tapestry From An Asteroid, David Kordansky Gallery, Los Angeles, CA

lumpen decadents (the lack of money is the root of all evil),

Curated by Gean Moreno, Ingalls and Associates, Miami, FL

2003

Inaugural Exhibition, Golinko Kordansky Gallery, Los Angeles, CA

Post It, Floating Ip Gallery, Manchester, England

*Ishtar, Curated by Bruce Hainley, Midway Contemporary Art, Minneapolis, MN

The Distance Between My Apartment And The Beach, Curated by Nizan Shaked, Occidental College, Los Angeles, CA

2002

Grey Gardens, Curated by Bruce Hainley, Michael Kohn Gallery,Los Angeles, CA

2001

Boomerang: Collectors Curate, Curated by Kenneth L. Freed, Exit Art, New York, NY

Selections, Bolsky Gallery, Otis College of Art and Design, Los Angeles, CA

Weak Architecture, Midway Contemporary Art, Minneapolis, MN

Mink Jazz, Curated by Bruce Hainley, Marc Foxx, Los Angeles, CA

2000

Democracy, Bradbury Building, Los Angeles, CA

Press

SELECTED BIBLIOGRAPHY

(* indicates non-periodical book, catalog, or other publication)

2010 Bartholomew, Ryan, “Leopards in the Temple,” Artforum, January 2010

Carlin, T.J. “Leopards in the Temple,” Time Out New York, Feb-March 3, 2010

Johnson, Ken. “Tamer Cats at Modern Art’s High Gates,” NY Times, Jan 14

2009 Baker, Kenneth, “Marbles at Noma,” SF Gate, September 29

Curcio, Seth, “Play With Your Own Marbles,” Daily Serving, September 27

Szupinska, Joanna, “Play With Your Own Marbles,” ArtSlant, September 14

Bromberg, Emilie, “Patrick Hill – Sculpture Associated, META-magazine.com, Issue 2, August

Schad, Ed, “Patrick Hill,” ArtReview, May, p. 119

Dault, Julia, “Patrick Hill,” artforum.com, www.artforum.com, March

Donohue, Marlena, “Patrick Hill,” Artscene, March

Miles, Christopher, Danerous Geometry, LA Weekly, February 18

2009 Snellman, Natascha, “Patrick Hill at David Kordansky Gallery,” Dossier.com, www.dossier.com, February 17

Pagel, David, “Review: Patrick Hill at David Kordansky, Los Angeles Times, February 13

Verrecchia, Vassili, Patrick Hill, L’Officiel Hommes, February 2009, pp.177-180

Fiduccia, Joanna, “Patrick Hill,” The Approach E2, Artforum, January, p. 221

2008 Taft, Catherine, “Base: Object,” Arforum.com, www.artforum.com, November

Patrick Hill, NY Arts, Vol 13, No. 11/12, p. 43

Smith, Roberta, Pruesspress@Rental, New York Times, June 27, p. B25

Schambelan, Elizabeth, “Whitney Biennial”, Artforum, Summer 2008, p. 426

Stern, Steven, “Whitney Biennial 2008”, Frieze, Issue 115, May 2008, p. 164

Cotter, Hollard “Art’s Economic Indicator”, New York Times, March 2008

“Whitney’s Snapshot of Now”, Art World, Issue 3, February 2008, p. 21

2007 Baker, R.C., “Recommendations from R.C. Baker,” Village Voice, October 2

Miles, Christopher, “Gallery Sprawl: City of Los Angeles”, Flaunt, Issue 87, p. 106

Morton, Tom, “Patrick Hill,” Frieze, January – February 2007, p. 176.

2006 Rochette, Anne and Wade Saunders, “Place Matters: Los Angeles Sculpture Today,” Art in America, November 2006, p. 174.

Campagnola, Sonia, “Focus Los Angeles: A Survey of Contemporary Los Angeles Art,” Flash Art, January – February 2006, p.71.

Morton, Tom, “Looking Back: Emerging Artists,” Frieze, January – February 2006, p.122.

2005 DeRose, Jen, “More at MAK,” Interior Design, December 2005.

Hainley, Bruce, “Patrick Hill (Openings),” Artforum, November 2005, pp. 242-243.

Sholis, Brian, “Ask the Dust,” artforum.com, September 2005.

Smith, Roberta, “Ask the Dust,” New York Times (Art Listings), September 2005.

*Ned Holte, Michael, “Ask the Dust: Jedediah Caesar, Case Calkins, Patrick Hill at D’Amelio Terras Gallery,” D’Amelio Terras, September 6, 2005.

Grabner, Michelle, “Patrick Hill,” artUS, July – September 2005, p.17.

Nusser, Madeline, “Patrick Hill,” Time Out Chicago, April 14-21, 2005,

Issue No. 7, p. 48.

Cotter, Holland, “Dealers Gather at the River, Convenient to Lofts

With Bare Walls,” The New York Times, March 11, 2005.

2004 Hainley, Bruce, “Top Ten,” Artforum, December, 2004, pp.164-165.

Knight, Christopher, “Will it all come crashing down?,” LA Times, November 26, 2004, p.E18.

Ruiz, Alma, “Dossier Los Angeles,” Carnet arte, Milan, May, 2004.

2003 *Hainley, Bruce and Siobhan McDevitt. “Camel Riding Nude, Backwards,” Ishtar,

Minnesota: Midway Contemporary Art, 2003.

2002 Hoffmann, Jens, “Cityscape: Los Angeles,” Flash Art, Milan, November – December 2002, pp. 53-56.

Heikes, Jay, “The Waiting Room is Closed,” New Art Examiner, Chicago,

January – February 2002, p. 49.