The exhibition in S.M.A.K. originates in Michel François’ ambitious plan to take the time and space necessary to develop a project around Faux Jumeaux, and over a period of more than a year. In concrete, each time this involved the changing constellations of two artists who conceived a work separately and simultaneously, but when we compared them they showed a striking number of similarities. We could describe this as a prelude to what followed, the launching of a mode of thought that generated Plans d’évasion.