Approaching the documentary tradition, the works of UGP sometimes depict particular individuals (such as Mekas or the Brazilian artist Tunga), as well as objects (the artworks of Katryzyna Kobro and Lygia Clark, for example, or the architecture of Emilio Ambasz). But against the backdrop of the homogenizing processes of multiculturalism, which sought to re-inscribe differences as stable identities, they unfix subject and object as they manipulate, perform, and model them.