Michel François, Untitled (Barbed wire), 2005, Barbed wire with polystyrene, 22 1/4 × 6 1/2 × 6 1/2 in (57 × 17 × 17 cm)
Marina Rheingantz, Teatro de Sombra, 2021, Oil on linen, 59 × 52 in (150 × 132 cm)
Renée Green, Metonymies (g), 1984, Gouache on paper, 13 3/4 × 19 3/4 in (35 × 50 cm)
Caitlin Keogh, The Gentle Art of Making Friends, 2016, Acrylic on canvas, 96 × 72 in (244 × 183 cm)
Caitlin Keogh, Figure 8, 2021, Acrylic on panel, 22 3/4 × 17 in (58 × 43 cm)
Faith Wilding, A half-burned out apple tree blossoming, 2022, Graphite on paper, Artwork: 40 × 25 3/4 in (102 × 65 cm) Framed: 42 3/4 × 28 1/2 × 1 1/2 in (109 × 72 × 4 cm)
Morgan Fisher, Kodak Plus-X 120 March 1950, 2011, Archival pigment print, 16 × 20 in (41 × 51 cm), Unframed: 16 × 20 in (40.6 × 50.8 cm) Framed: 17¼ × 21¼ in (43.8 × 54 cm) Edition 1 of 2 + 1 AP
Wolfgang Breuer, Breuer, 2012, Laser print, 11.69 × 8.27 in (30 × 21 cm)
Fernanda Laguna, Amarillo (Yellow), 2012, Acrylic on canvas with cut-outs, metal chain and studs, ribbons, wicker frame, 39.375 × 34 1/4 in (100 × 87 cm)
Fernanda Laguna, Ventanas (Windows), 2020, Acrylic on canvas with cut-outs, 32 1/4 × 27 1/8 in (82 × 69 cm)
Mary Obering, Window Series #2, 1973, Acrylic on canvas, 96 × 96 in (244 × 244 cm)
Tom Burr, Body/Building: Regional Dialectics, 2017, Stained plywood, steel push-pins, magazine pages from ‘Straight To Hell: The Manhattan Review of Unnatural Acts’, Issue 53 (1983), book pages from ‘The Mayor’s Game: Richard Lee of New Haven and the Politics of Change’ by Allan R. Talbot (1967), 24 × 17 in (61 × 43 cm)
Caitlin Keogh, Ribbons, 2019, Acrylic on linen, 90 × 67 1/2 in (229 × 171 cm)
Madeline Hollander, Ouroboros: Gs, 2016, Portion of the Whitney Museum's steel and aluminum flood mitigation system
Tom Burr, Unearthing the public restrooms (police), 1994, Black and white photograph, 6 3/10 × 9.45 in (16 × 24 cm)
Sanya Kantarovsky, Untitled, 2012, Bleach watercolor flash and ink on linen, 25 × 19 in (64 × 48 cm)
Sonia Gechtoff, Celestial Red, 1994, Acrylic on canvas, 77 3/4 × 78 in (197 × 198 cm)
Anna Ostoya, Transposition V, 2014, Acrylic, oil paint, enamel, paper and aluminum ribbon on canvas, 39.37 × 78.74 in (100 × 200 cm)
Bozidar Brazda, Avengers/Target, 2006, Acrylic on paper, 49 1/2 × 50 in (126 × 127 cm)
Lena Henke, Milkdrunk VI, 2017, Fiberglass, Aqua-Resin, stainless steel, rubber bands, 12 3/4 × 9 1/4 × 5 1/4 in (32 × 23 × 13 cm)
Naotaka Hiro, Untitled (Edifice), 2022, Acrylic, graphite and grease pencil on paper, 96 1/8 × 83 in (244 × 211 cm)
Richard Aldrich, If I Paint Crowned I've Had It, Got Me, 2008, Oil and wax on wood on cut linen, 84 × 58 in (213 × 147 cm)
Nicolás Guagnini, The Sailor's Rendezvous, 2016, Glazed ceramic, 13 × 16 3/4 × 1 3/4 in (33 × 43 × 4 cm)
Santídio Pereira, Untitled, 2021, Watercolor on paper, 19 1/2 × 14 in (50 × 36 cm)
Marina Rheingantz, Tapestry Landscape, 2017, Oil on linen, 31 1/2 × 23 5/8 in (80 × 60 cm)
Tom Burr, I prefer laughter to tears, 2009, wood, steel poles, black paint, vintage stools, vintage black headphones, wine glasses, 72 1/2 × 48 × 36 in (184 × 122 × 91 cm)
Richard Aldrich, Untitled, 2015, Oil and wax on panel, 14 × 11 in (36 × 28 cm)
Barbara Kasten, Photogenic Painting Untitled 75/32, 1975, Cyanotype, 30 × 40 in (76 × 102 cm)
Virginia Overton, Untitled (weeping willow), 2021, Willow, 24 × 204 × 4 1/2 in (61 × 518 × 11 cm)
Renée Green, Space Poem #7 (Color Without Objects: Intra-Active May-Words), 2020, Poly Duck, 28 banners, each: 42 × 32 in (107 × 81 cm)
Tom Burr, Floor Model (adolescent), 2022, T-shirt, men’s sneakers, copy of The Philosophical Foundations of Marxism by Louis Dupré, vintage linoleum tiles, MDF, plexiglas, 18 × 36 × 36 in (46 × 91 × 91 cm)
Anna Ostoya, Invitations No. 19, 2013, Acrylic and oil paint, archival print on paper, gesso board, 24 × 18 in (61 × 46 cm)
Eric Wesley, DPS #8 (Enterprise With No Sails), 2014, Acrylic and graphite on aluminum on linen, 48 × 37 in (122 × 94 cm)
Nicolás Guagnini, Torso 5, 2021, Oil on linen mounted on wood, 20 × 16 in (51 × 41 cm)
Juan Antonio Olivares, Untitled (Spermatozoa), 2019, Graphite on paper, Framed: 50 3/4 × 38 3/4 in (129 × 98 cm), Unframed: 48 × 36 in (122 × 91 cm)
Lena Henke, Galocher (fecond), 2014, Fiberglass, resin, pigment, steel, 86 × 79 × 24 in (218 × 201 × 61 cm)
Ann Veronica Janssens, Magic Mirror Pink, 2013, Dichroïc polyester film, security glass, float glass, 78.74 × 39.37 in (200 × 100 cm), Edition of 1 + 1 AP
Morgan Fisher, Photograms of the Year 1958, 2011, Rubbing on paper, Signed and dated in pencil, 13 × 10.5 in (33 × 26.7 cm)
Sonia Gechtoff, Blue Two, 2016, Acrylic on canvas, 48 × 48 in (122 × 122 cm), Collection of Denver Art Museum, Dever, CO
Ella Kruglyanskaya, Tied Together, 2014, Flashe, oil pastel, and oil on paper, 101.87 × 57 3/4 in (259 × 147 cm)
Leda Catunda, Camisetas (T-Shirts), 1989, Acrylic on T-shirts, 86 1/2 × 74 3/4 in (220 × 190 cm)
Piero Golia, Intermission painting #12 cyan to purple, 2014, EPS foam, hard coat and pigment, 111 4/5 × 121 9/10 × 22 9/10 in (284 × 310 × 58 cm)
Barbara Kasten, Construct VIII-A, 1981, Polaroid polacolor, Framed: 15 7/8 × 14 1/8 in / 40 × 36 cm
Lena Henke, UR Tritt (rubber), 2019, Rubber, 11 × 8 × 8 in (28 × 20 × 20 cm)
Anna Ostoya, Views (5), 2017, Papier-mâché, palladium leaf, gold leaf, acrylic and newspaper on canvas, 40 × 30 in (102 × 76 cm)
Madeline Hollander, Score for 7 Solos, 2021, Dimensions variable
Carla Accardi, Grande Rosso Scuro, 1974, Acrylic on sicofoil, 60 3/4 × 98 1/2 in (154 × 250 cm)
Claudio Parmiggiani, Untitled , 2018, Smoke and soot on board, 150 × 225 cm (59 1/10 × 88 3/5 in)
Claudio Parmiggiani, Untitled , 1975, Plaster, wood, metal, butterflies and pigment, 25 × 30 × 20 cm (9 4/5 × 11 4/5 × 7 9/10 in)
Robert Bordo, French Letter, 1995, Oil on panel, 10 × 20 in (25 × 51 cm)
Anna Ostoya, Views (7), 2017, Papier-mâché, palladium leaf, sandpaper and acrylic on canvas, 40 × 30 in (102 × 76 cm)
Morgan Fisher, Kodak Verichrome 127 May 1952, 2011, Archival pigment print, Unframed: 16 × 20 in (40.6 × 50.8 cm) Framed: 17¼ × 21¼ in (43.8 × 54 cm) Edition 1 of 2 + 1 AP
Alex Kwartler, Untitled, 2008, Oil and mixed media on canvas, 26 × 31 in (66 × 79 cm)
Hope Atherton, Corn Soup, 2008, Oil and acrylic on linen, 46 × 38 in (117 × 97 cm)
Joe Ray, Sonia Quarters (022), 1970/2023, Archival ink jet print, Print: 20 × 16 in (50.8 × 40.6 cm) Framed: 20 3/4 × 16 3/4 × 1 1/4 in (52.7 × 42.5 × 3.2 cm) Edition 1 of 3 + 2 AP
Barbara Kasten, AMALGAM Untitled 79/33, 1979, Analog enlargement and photogram on Silver Gelatin, 20 × 16 in (51 × 41 cm)
Ben Schumacher, Long Lines 33, 1989, Terrazzo, cable management racks, electrical cords, 5 1/4 × 82 1/2 × 10 in (13 × 210 × 25 cm)
Morgan Fisher, Blue under Yellow under Green under Red/Red over Green over Yellow over Blue, 2022, Acrylic on canvas, Each: 20 × 20 in (51 × 51 cm)
Claudio Parmiggiani, Untitled, 2017, Smoke and soot on board, 35 3/10 × 39.375 in (90 × 100 cm)
Richard Haas, Artist's Studio View Looking North, 2008, Acrylic on canvas, 32 1/2 × 26 1/2 in (83 × 67 cm)
Aki Sasamoto, Yield Point, 2017, Digital video, 21:44 min., Edition 2 of 5 + 2AP
Rebecca Morris, Untitled (#212-16), 2016, Ink and watercolor on paper, Artwork: 20 × 14 1/8 in (51 × 36 cm), Framed: 21 3/4 × 15 7/8 × 1 1/2 in (55 × 40 × 4 cm)
Tom Burr, Twelve Grays, 2021, Suite of 12 photos on archival Pigment print on Canson Rag Photographique 310 gsm 100% cotton rag fine art paper, Framed, (each): 13 3/4 × 10 3/4 × 1 1/2 in (34.9 × 27.3 × 3.8 cm)
Claudio Parmiggiani, Untitled , 1975, Plaster cast, lantern and soot, 13 3/4 × 9 7/8 × 9 7/8 in (35 × 25 × 25 cm)
Michel François, Rien dans les poches, 2010, Fabric and plaster, 37 × 16 × 7 1/2 in (94 × 41 × 19 cm)
Andrea Zittel, Tellus Interdum, 2011, Newsprint printed at High Desert Star in Yucca Valley, 151 1/2 × 661 × 169 in (385 × 1679 × 429 cm)
Peter Mandradjieff, Turquoise Pattern, 2011, Oil on canvas, 20 × 16 in (51 × 41 cm)
Caitlin Keogh, Ff, 2019, Acrylic on canvas, 90 × 67 1/2 in (229 × 171 cm)
Daniel Buren, Colored Mirrors, situated work, low relief #7, 2021, Colored mirrored glass and paint on MDF, 106 1/8 × 196 1/8 in (270 × 498 cm)
Gary Webb, Sax, 2009, Cast aluminum, car spray paint, wood, bronze and stainless steel, 114.17 × 19.69 × 25.98 in (290 × 50 × 66 cm)
Enrico Baj / Arte Nucleare, Esplosione, 1951, Oil and enamel on canvas, 35.43 × 39.37 in (90 × 100 cm)
Tom Burr, Cover Me Cautiously, 2011, Wool and wool blend blankets, steel tacks on stained plywood, 121 × 121 × 10 cm (47 3/5 × 47 3/5 × 3 9/10 in)
Brook Hsu, satyr family, 2018, Oil on wood, 4 × 6 in (10 × 15 cm)
Ella Kruglyanskaya, Accosted, 2015, Oil and oil bar on linen, 78 × 60 in (198 × 152 cm)
Raoul De Keyser, Maquette for Construct, 2007, Oil on canvas, 11 7/8 × 15 3/4 in (30 × 40 cm)
Madeline Hollander, Competition, 2017
Barbara Kasten, Photogram Painting Untitled, 1977–2014, Silver gelatin paper and oil on canvas, Two panels, each: 48 × 18 in (122 × 46 cm), Overall: 48 × 37 ¼ × 1 ½ in (122 × 95 × 4 cm)
Robert Bordo, Les Lucioles #5 (Shiva), 2022, Oil on linen, 56 × 40 in (142 × 102 cm)
Robert Bordo, crackup #13 (witch), 2019, Oil on canvas, 63 × 84 in (160 × 213 cm)
Daniel Buren, Pièce découpée en trois pour un mur, December 1970 – January 1972, White acrylic on cotton fabric with black and white stripes, 8.7 cm wide, 55 1/8 × 55 1/8 in (140 × 140 cm)
Nicolás Guagnini, Condi, 2014, Vitrified glazed ceramic, book , 13 3/4 × 16 × 12 3/4 in (35 × 41 × 32 cm)
Eric Wesley, DPS #14 (Plymouth Rock Landing on the US Constitution), 2014, Oil and acrylic on aluminum on linen, 48 × 37 in (122 × 94 cm)
Carla Accardi, Dimenticare Mettersi in Salvo n.2, 1978, Acrylic on frame and transparent sicofoil, 86 5/8 × 74 7/8 in (220 × 190 cm)
Nicolás Guagnini, The Long View, 2018, Glazed ceramic, 13 × 16 3/4 × 1 3/4 in (33 × 43 × 4 cm)
Tom Burr, The Railings (May, 1970), 2017, Blackened steel, polished steel etched with Jean Genet’s 1970 “May Day Speech”, tempered glass, 23 panels, 106 1/2 × 3170 cm (41 9/10 × 1248 in)
Barbara Kasten, Reconstruction (Diamond), 1974–2022, Fiberglass mesh, 66 1/2 × 54 × 3 in (169 × 137 × 8 cm)
Sonia Gechtoff, Sea Door, 1966, Oil on canvas, 96 1/4 × 50 1/8 in (244 × 127 cm)
Brook Hsu, Aesop by the pond, 2018, Oil on wood, 4 × 6 in (10 × 15 cm)
Anna Ostoya, Exposures: 24.02.2011, 2011, Newspaper and papier maché on canvas, Signed and dated on verso in pencil, 24 × 20 in (61 × 50.8 cm)
Morgan Fisher, Negative Ideal Fine Grain 120 December 1951, 2015, Archival pigment print, Unframed: 16 × 20 in (40.6 × 50.8 cm) Framed: 17¼ × 21¼ in (43.8 × 54 cm) Edition 1 of 2 + 1 AP
Lucie Stahl, AIDS WALK 2013, 1974, Poster in polyurethane, 33.07 × 23.43 in (84 × 60 cm)
Anna Ostoya, Extasy, 2020, Oil on canvas, 72 × 60 in (183 × 152 cm)
Marcia Schvartz, Encuentro místico constitución (Mystical encounter at Constitutión Train Station), 1998, Oil on canvas and collage, 42 × 51 in (107 × 130 cm)
Santídio Pereira, Untitled, 2021, Watercolor on paper, 19 1/2 × 14 in (50 × 36 cm)
Virginia Overton, Untitled (Ice maker supply line), 2019, Copper and neon, 41 × 4 1/2 × 5 1/2 in (104 × 11 × 14 cm)
Jim Shaw, Dream Object: Paperback Cover Painting (A Friend and I went to a Furniture Store…), 1998, Gouache on ragboard mounted plywood, 10 1/2 × 6.375 in (27 × 16 cm)
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