Sable Elyse Smith is an interdisciplinary artist and writer based in New York. Her creative practice spans the visual, literary, moving image and performing arts. Language is an ARCHITECTURE. She has built a practice tracing the threads of violence and power embedded within systems of belief, infrastructure, language, intimacy, the quotidian, and beyond. She was recently included on the 2024 TIME100 Next—The magazine's annual list of 100 individuals who are shaping the future of their fields and defining the next generation of leadership. In 2024, she debuted an operatic work at the Museum of Modern Art, New York. The artist’s staging included an original libretto and video for the performance titled If you unfolded us. Her largest sculpture to-date was presented in the 2022 Whitney Biennial, Quiet as it’s Kept. The kinetic piece, A Clockwork (2021), is a moving wheel composed of furniture usually relegated to institutional settings, emphasizing the perpetual machinery of production of both the architectural elements and systems they inhabit. The same year a large neon work was installed in the Venice Biennale curated by Cecilia Alemani. The artist’s poem, illuminated, were the final words visitors read upon exiting the Giardini in Venice: “We seem to all be standing here wrapped around this fist tonight […]”.
Her work has also been exhibited at MoMA Ps1, New Museum, The Studio Museum in Harlem, Solomon R. Guggenheim Museum, Institute of Contemporary Art Boston, and numerous others. Smith has received awards from Joan Mitchell Foundation, Creative Capital, Suzanne Deal Booth / Flag Art Foundation Prize, Louis Comfort Tiffany Foundation, Fine Arts Work Center, Skowhegan School of Painting and Sculpture, and Art Matters, among others. This summer she was an artist-in-residence at the Rauschenberg Residency on Captiva, as well as BOFFO in Fire Island. In spring 2026, a solo exhibition of her work will be presented at the Contemporary Austin and travel to Flag Art Foundation, New York as part of the granted award from the Suzanne Deal booth / Flag Art Foundation prize.
Exhibitions

On Education
20 Mar – 17 Aug 2025
Amant, New York

SCRIMMAGE
18 Jan – 15 Feb 2025
Carlos/Ishikawa, London

Studio Sound: Sable Elyse Smith
3 Jul – 14 Jul 2024
The Museum of Modern Art (MoMA)

Growing Sideways
21 Jun – 15 Sep 2024
Wallach Art Gallery, Columbia University

Burning Down the House: Rethinking Family
1 Jun – 20 Oct 2024
Kunstmuseum St. Gallen, Switzerland

Going Dark: The Contemporary Figure at the Edge of Visibility
20 Oct 2023 – 7 Apr 2024
The Guggenheim, New York
FAIR GROUNDS
9 Sep – 26 Oct 2023
Regen Projects, Los Angeles

To Begin Again: Artists and Childhood
6 Oct 2022 – 26 Feb 2023
Institute of Contemporary Art Boston

Tithe
7 Sep – 21 Oct 2022
JTT, New York
Whitney Biennial 2022: Quiet As It's Kept
6 Apr – 16 Oct 2022
Whitney Museum of American Art

Grief and Grievance: Art and Mourning in America
16 Feb – 5 Jun 2021
New Museum, New York
Marking Time: Art in the Age of Mass Incarceration
20 Sep 2020 – 5 Apr 2021
MoMA PS1

SI ONSITE
1 Jan – 31 Dec 2020
Swiss Institute, New York

Colored People Time: Banal Presents
13 Sep – 22 Dec 2019
Institute of Contemporary Art, University of Pennsylvania
Mirror/Echo/Tilt
18 Jun – 6 Oct 2019
New Museum, New York

BOLO: be on (the) lookout
28 Oct – 16 Dec 2018
JTT, New York

Ordinary Violence
17 Aug 2018 – 27 Jan 2019
Haggerty Museum of Art

The High Line: Agora
1 Apr 2018 – 1 Mar 2019
The High Line, New York

How We Tell Stories to Children
11 Jan – 4 Feb 2018
Atlanta Contemporary

Trigger: Gender as a Tool and a Weapon
27 Sep 2017 – 21 Jan 2018
New Museum, New York

Ordinary Violence
17 Sep 2017 – 18 Feb 2018
Queens Museum, New York
Press
Lukas Ondak Interview With Sable Elyse Smith BOFFO Aug 2025Qingyuan Deng Sable Elyse Smith’s America Justsmile Jul 2025Alexander DaeQuan Collier 24 Hours with Sable Elyse Smith MoMA Magazine May 2025Cassie Packard Sable Elyse Smith’s Opera Inhabits the Storm Frieze Jul 2024Annikka Olsen These 5 Artists Are Redefining New York’s Art Scene artnet Feb 2024Claudia Ross Sable Elyse Smith Reveals the Carceral as Carnivalesque Frieze Oct 2023Karla Méndez The Disorienting Vibrancy of Sable Elyse Smith’s Work Elephant Sep 2023John Ortved With “FAIR GROUNDS,” Sable Elyse Smith Lays Bare the Darkness of American Leisure Culture Cultured Sep 2023Allison Noelle Conner What can a coloring book reveal about the absurdity of carceral logic? Los Angeles Times Sep 2023Natasha Marie Llorens Sable Elyse Smith’s “FEAR TOUCH POLICE" e-flux Jan 2022Matthew McLean Sable Elyse Smith Responds to the Rigged Logic of the US Criminal Justice System Frieze Jan 2020Lizzie Homersham Critics' Picks: Sable Elyse Smith Artforum Nov 2019Hanna Girma, Sable Elyse Smith The Weight of Objects MoMA Magazine Jul 2019Sara O'Keeffe, Sable Elyse Smith Vanishing Points Mousse Magazine Summer 2019Amber Jamilla Musser Sable Elyse Smith: BOLO: Be on (the) Lookout The Brooklyn Rail Dec 2018Tiana Reid Sable Elyse Smith Uses a Coloring Book for Kids in Court To Critique the Violence of Social Control Vulture Dec 2018Diana Hamilton Firsthand at Arm’s Length Art in America Jun 2018Jessica Lynne Sable Elyse Smith Aperture Spring 2018Rabia Ashfaque “Who Is More Guilty? Sable Elyse Smith’s Ordinary Violence Bomb Jan 2018Jessica Lynne 30 Young Artists to Watch in 2018 Cultured Nov 2017Cora Fisher An Artist’s Bond with Her Imprisoned Father Hyperallergic Nov 2017Martha Schwender What to See in New York Art Galleries This Week: SABLE ELYSE SMITH The New York Times Aug 2017Kat Herriman Sable Elyse Smith Rewrites the Prison Narrative Cultured Aug 2017Nicole Kaack Critics' Picks: Sable Elyse Smith Artforum Jun 2017Writings
Publications

Sable Elyse Smith: And Blue in a Decade Where It Finally Means Sky
JTT and Regen Projects
2022

...In That Empire
Pacific
2019

Mirror/Echo/Tilt
Pacific
2019
