Virginia Overton (b. 1971, Nashville, TN) is currently the subject of a solo exhibition at the Frist Art Museum, Nashville. In 2022 she participated in the 59th International Art Exhibition of La Biennale di Venezia, The Milk of Dreams, curated by Cecilia Alemani. Other recent solo exhibitions include Goldsmiths Centre for Contemporary Art (London), Don River Valley Park (Toronto), Socrates Sculpture Park (Long Island City), The Fogelman Galleries of Contemporary Art at the University of Memphis, Museum Of Contemporary Ar3t Tucson, The Whitney Museum of American Art (New York), The Aldrich Contemporary Art Museum (Ridgefield), White Cube (London), All Rise (Seattle), Museum of Contemporary Art North Miami, Storm King Art Center (Mountainville), Westflischer Kunstverein (Mun̈ster), Kunsthalle Bern, The Kitchen (New York), and The Power Station (Dallas).
Recent group exhibitions and projects include Untitled (skylight gems), a permanent installation at LaGuardia Airport (New York), Future Audio Graphics (New York), Frieze Sculpture (London), FRONT International: Cleveland Triennial for Contemporary Art, Office Baroque (Brussels), MAY68 (New York), Maisterravalbuena (Lisbon), Lever House (New York), The David Ireland House at 500 Capp Street (San Francisco), Institute of Contemporary Art (Philadelphia), Parcours (Art Basel), Contemporary Art Museum (St. Louis), High Line Art (New York), MoMA PS1 (New York), and SculptureCenter (New York). Her work is collected by The Whitney Museum of American Art, The San Antonio Museum of Art, Museum of Modern Art, New York, Museum of Contemporary Art Tucson, Kunstmuseum Bern, and Kunsthaus Zur̈ich.